Audiobooks, literature, and sound studies
著者
書誌事項
Audiobooks, literature, and sound studies
(Routledge research in cultural and media studies, 31)
Routledge, 2011
- : hbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This is the first scholarly work to examine the cultural significance of the "talking book" since the invention of the phonograph in 1877, the earliest machine to enable the reproduction of the human voice. Recent advances in sound technology make this an opportune moment to reflect on the evolution of our reading practices since this remarkable invention. Some questions addressed by the collection include: How does auditory literature adapt printed texts? What skills in close listening are necessary for its reception?
What are the social consequences of new listening technologies? In sum, the essays gathered together by this collection explore the extent to which the audiobook enables us not just to hear literature but to hear it in new ways. Bringing together a set of reflections on the enrichments and impoverishments of the reading experience brought about by developments in sound technology, this collection spans the earliest adaptations of printed texts into sound by Charles Dickens, Thomas Hardy, and other novelists from the late nineteenth century to recordings by contemporary figures such as Toni Morrison and Barack Obama at the turn of the twenty-first century. As the voices gathered here suggest, it is time to give a hearing to one of the most talked about new media of the past century.
目次
Foreword, Charles Bernstein Introduction: Talking Books, Matthew Rubery Part 1: Sound Experiments 1. The Three-Minute Victorian Novel: Remediating Dickens into Sound, Jason Camlot 2. A Library on the Air: Literary Dramatization and Orson Welles's Mercury Theatre, James Jesson 3. The Audiographic Impulse: Doing Literature with the Tape Recorder, Jesper Olsson 4. Poetry by Phone and Phonograph: Tracing the Influence of Giorno Poetry Systems, Michael S. Hennessey 5. Soundtracking the Novel: Willy Vlautin's Northline as Filmic Audiobook, Justin St. Clair Part 2: Close Listenings 6. Novelist as "Sound-Thief": The Audiobooks of John le Carre, Garrett Stewart 7. Hearing Hardy, Talking Tolstoy: The Audiobook Narrator's Voice and Reader Experience, Sara Knox 8. Talking Books, Toni Morrison, and the Transformation of Narrative Authority: Two Frameworks, K. C. Harrisson 9. Obama's Voices: Performance and Politics on the Dreams from My Father Audiobook, Jeffrey Severs 10. Bedtime Storytelling Revisited: Le Pere Castor and Children's Audiobooks, Brigitte Ouvry-Vial 11. Learning from LibriVox, Michael Hancher 12. A Preliminary Phenomenology of the Audiobook, D. E. Wittkower
「Nielsen BookData」 より