Audiobooks, literature, and sound studies
Author(s)
Bibliographic Information
Audiobooks, literature, and sound studies
(Routledge research in cultural and media studies, 31)
Routledge, 2011
- : hbk
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This is the first scholarly work to examine the cultural significance of the "talking book" since the invention of the phonograph in 1877, the earliest machine to enable the reproduction of the human voice. Recent advances in sound technology make this an opportune moment to reflect on the evolution of our reading practices since this remarkable invention. Some questions addressed by the collection include: How does auditory literature adapt printed texts? What skills in close listening are necessary for its reception?
What are the social consequences of new listening technologies? In sum, the essays gathered together by this collection explore the extent to which the audiobook enables us not just to hear literature but to hear it in new ways. Bringing together a set of reflections on the enrichments and impoverishments of the reading experience brought about by developments in sound technology, this collection spans the earliest adaptations of printed texts into sound by Charles Dickens, Thomas Hardy, and other novelists from the late nineteenth century to recordings by contemporary figures such as Toni Morrison and Barack Obama at the turn of the twenty-first century. As the voices gathered here suggest, it is time to give a hearing to one of the most talked about new media of the past century.
Table of Contents
Foreword, Charles Bernstein Introduction: Talking Books, Matthew Rubery Part 1: Sound Experiments 1. The Three-Minute Victorian Novel: Remediating Dickens into Sound, Jason Camlot 2. A Library on the Air: Literary Dramatization and Orson Welles's Mercury Theatre, James Jesson 3. The Audiographic Impulse: Doing Literature with the Tape Recorder, Jesper Olsson 4. Poetry by Phone and Phonograph: Tracing the Influence of Giorno Poetry Systems, Michael S. Hennessey 5. Soundtracking the Novel: Willy Vlautin's Northline as Filmic Audiobook, Justin St. Clair Part 2: Close Listenings 6. Novelist as "Sound-Thief": The Audiobooks of John le Carre, Garrett Stewart 7. Hearing Hardy, Talking Tolstoy: The Audiobook Narrator's Voice and Reader Experience, Sara Knox 8. Talking Books, Toni Morrison, and the Transformation of Narrative Authority: Two Frameworks, K. C. Harrisson 9. Obama's Voices: Performance and Politics on the Dreams from My Father Audiobook, Jeffrey Severs 10. Bedtime Storytelling Revisited: Le Pere Castor and Children's Audiobooks, Brigitte Ouvry-Vial 11. Learning from LibriVox, Michael Hancher 12. A Preliminary Phenomenology of the Audiobook, D. E. Wittkower
by "Nielsen BookData"