Postcolonial African cinema : from political engagement to postmodernism
著者
書誌事項
Postcolonial African cinema : from political engagement to postmodernism
Indiana University Press, c2007
- pbk.
- pbk.
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注記
Includes filmography: p. 252-254
Includes bibliography: p. 256-261
Includes index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip076/2006100896.html Information=Table of contents only
内容説明・目次
- 巻冊次
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pbk. ISBN 9780253219145
内容説明
Kenneth W. Harrow offers a new critical approach to African cinema-one that requires that we revisit the beginnings of African filmmaking and the critical responses to which they gave rise, and that we ask what limitations they might have contained, what price was paid for the approaches then taken, and whether we are still caught in those limitations today.
Using Zizek, Badiou, and a range of Lacanian and postmodern-based approaches, Harrow attempts to redefine the possibilities of an African cinematic practice-one in which fantasy and desire are placed within a more expansive reading of the political and the ideological. The major works of Sembene Ousmane, Djibril Diop Mambety, Souleymane Cisse, Jean-Pierre Bekolo, Jean-Marie Teno, Bassak ba Kohbio, and Fanta Nacro are explored, while at the same time the project of current postmodern theory, especially that of Jameson, is called into question in order that an African postmodernist cultural enterprise might be envisioned.
目次
Contents
Preface: Out with the Authentic, In with the Wazimamoto
Acknowledgments
Introduction: The Creation of a Cinema Engage
1. Did We Get Off to the Wrong Start? Toward an Aesthetic of Surface versus Depth
2. Sembene's Xala, the Fetish, and the Failed Trickster
3. Cameroonian Cinema: Ba Kobhio, Teno, and the Technologies of Power
4. From Jalopy to Goddess: Quartier Mozart, Faat Kine, and Divine carcasse
5. Toward a Zizekian Reading of African Cinema
6. Aristotle's Plot: What's Inside the Can?
7. Finye: The Fantasmic Support
8. Hyenas: Truth, Badiou's Ethics, and the Return of the Void
9. Toward a Postmodern African Cinema: Fanta Nacro's "Un Certain matin" and Djibril Diop Mambety's Parlons Grand-Mere
Notes
Filmography
Bibliography
Index
- 巻冊次
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ISBN 9780253349095
内容説明
Kenneth W. Harrow offers a new critical approach to African cinema - one that requires that we revisit the beginnings of African filmmaking and the critical responses to which they gave rise, and that we ask what limitations they might have contained, what price was paid for the approaches then taken, and whether we are still caught in those limitations today. Using i ek, Badiou, and a range of Lacanian and postmodern-based approaches, Harrow attempts to redefine the possibilities of an African cinematic practice - one in which fantasy and desire are placed within a more expansive reading of the political and the ideological. The major works of Sembene Ousmane, Djibril Diop Mambety, Souleymane Cisse, Jean-Pierre Bekolo, Jean-Marie Teno, Bassak ba Kohbio, and Fanta Nacro are explored, while at the same time the project of current postmodern theory, especially that of Jameson, is called into question in order that an African postmodernist cultural enterprise might be envisioned.
目次
- Preface: Out with the Authentic, In with the Wazimamoto
- Introduction: The Creation of a Cinema Engage1. Did We Get off to the Wrong Start? Toward an Aesthetic of Surface versus Depth
- 2. Sembene's Xala, the Fetish and the Failed Trickster
- 3. Cameroonian Cinema: Ba Kobhio, Teno, and the Technologies of Power
- 4. From Jalopy to Goddess: Quartier Mozart, Faat Kine, and Divine Carcasse
- 5. Toward a i ekian Reading of African Cinema
- 6. Aristotle's Plot: What's Inside the Can?
- 7. Finye: The Fantasmic Support
- 8. Hyenas: Truth, Badiou's Ethics, and the Return of the Void
- 9. Toward a Postmodern African Cinema: Fanta Nacro's "Un Certain Matin" and Djibril Diop Mambety's Parlons Grand-mere
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