Brassaï, Paris : 1899-1984 : Brassaï's universal art Brassaï', der Vielseitige Brassaï' l'universel

Bibliographic Information

Brassaï, Paris : 1899-1984 : Brassaï's universal art = Brassaï', der Vielseitige = Brassaï' l'universel

Jean-Claude Gautrand ; [English translation: Peter Snowdon, German translation: Bettina Blumenberg]

Taschen, c2008

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Note

Biography: p. 188-190

Exhibitions, bibliography: p. 191-192

Description and Table of Contents

Description

Harlots, hoodlums, and heathens in Brassai's Paris "Brassai is a living eye," wrote Henry Miller of the Hungarian-born artist who adopted Paris after World War I and became one of its most celebrated photographers. Originally a painter before he moved on to writing, sculpture, cinema and, most famously, photography, Brassai (1899-1984) was a member of Paris's cultural elite, counting Miller, Picasso, Sartre, Camus, and Cocteau, among his friends. Camera in hand, he scoured the streets and bars of Paris, unabashedly capturing the city's inhabitants in their natural habitats. Prostitutes, hoodlums, and other 'marginal' characters were the most famous heroes of Brassai's moody, gritty photographs taken often by night. Including an extensive selection of Brassai's finest photographs and an essay describing his life and work, this book explores the world of Brassai in thematic chapters: Minotaure magazine, Paris at Night, Secret Paris, Day Visions, Artists of My Life, and Graffiti and Transmutations.

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