Music and the Wesleys

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書誌事項

Music and the Wesleys

edited by Nicholas Temperley and Stephen Banfield

University of Illinois Press, c2010

  • : cloth

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注記

"This book originated in a conference, Music, Cultural History and the Wesleys, hosted by CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and held at the University of Bristol in July 2007"--Pref

Bibliography: p. 245-261

Includes index

内容説明・目次

内容説明

Providing new insight into the Wesley family, the fundamental importance of music in the development of Methodism, and the history of art music in Britain, Music and the Wesleys examines more than 150 years of a rich music-making tradition in England. John Wesley and his brother Charles, founders of the Methodist movement, considered music to be a vital part of religion, while Charles's sons Charles and Samuel and grandson Samuel Sebastian were among the most important English composers of their time. This book explores the conflicts faced by the Wesleys but also celebrates their triumphs: John's determination to elevate the singing of his flock; the poetry of Charles's hymns and their musical treatment in both Britain and America; the controversial family concerts by which Charles launched his sons on their careers; the prolific output of Charles the younger; Samuel's range and rugged individuality as a composer; the oracular boldness of Sebastian's religious music and its reception around the English-speaking world. Exploring British concert life, sacred music forms, and hymnology, the contributors analyze the political, cultural, and social history of the Wesleys' enormous influence on English culture and religious practices. Contributors are Stephen Banfield, Jonathan Barry, Martin V. Clarke, Sally Drage, Peter S. Forsaith, Peter Holman, Peter Horton, Robin A. Leaver, Alyson McLamore, Geoffrey C. Moore, John Nightingale, Philip Olleson, Nicholas Temperley, J. R. Watson, Anne Bagnall Yardley, and Carlton R. Young.

目次

Editors' Preface vii Family Tree ix Abbreviations xi Introduction xiiiNicholas Temperley PART 1: MUSIC AND METHODISM 1. John Wesley, Music, and the People Called Methodists 3Nicholas Temperley 2. Charles Wesley and the Music of Poetry 26J. R. Watson 3. Psalms and Hymns and Hymns and Sacred Poems: Two Strands of Wesleyan Hymn Collections 41Robin A. Leaver 4. John Frederick Lampe's Hymns on the Great Festivals and Other Occasions 52 Martin V. Clarke 5. Methodist Anthems: The Set Piece in English Psalmody (1750-1850) 52Sally Drage 6. The Music of Methodism in Nineteenth-Century America 77Anne Bagnall Yardley 7. Eucharistic Piety in American Methodist Hymnody (1786-1889) 88Geoffrey C. Moore 8. The Musical Settings of Charles Wesley's Hymns (1742 to 2008) 103Carlton R. YoungPART 2: THE WESLEY MUSICIANS 9. Style, Will, and the Environment: Three Composers at Odds with History 121Stephen Banfield 10. Charles Wesley's Family and the Musical Life of Bristol 141Jonathan Barry 11. Pictorial Precocity: John Russell's Portraits of Charles and Samuel Wesley 154Peter S. Forsaith 12. Harmony and Discord in the Wesley Family Concerts 164Alyson McLamore 13. Father and Sons: Charles, Samuel, and Charles the Younger 175Philip Olleson 14. Samuel Wesley as an Antiquarian Composer 183Peter Holman 15. The Anthem Texts and Word Setting of Sebastian Wesley 200Peter Horton 16. The Legacy of Sebastian Wesley 216Stephen Banfield and Nicholas Temperley Appendix 1: Catalogue of Compositions by Charles Wesley the Younger 231 Methodist Hymnals Cited 242 Bibliography 245 Contributors 263 Index 267

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