The total artwork in expressionism : art, film, literature, theatre, dance, and architecture 1905-25
Author(s)
Bibliographic Information
The total artwork in expressionism : art, film, literature, theatre, dance, and architecture 1905-25
Hatje Cantz, c2011
- : trade ed
Available at 11 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Catalogue of an exhibition held at Institut Mathildenhöhe Darmstadt, Oct. 24, 2010-Feb. 13, 2011
Exhibitors: Friedrich Adler, Richard Luksch, Kurt F. Schmidt ... [et al.]
"List of exhibited works": p. 473-486
Bibliography: p. 487-496
Includes index
Description and Table of Contents
Description
First theorized by composer Richard Wagner, the total artwork, or "gesamtkunstwerk," proposed a synthesis of all arts towards a single, unified spectacle. Wagner's ambitious conception flowered in the early twentieth century throughout numerous avant gardes, particularly in German Expressionism, where art forms cross-pollinated and collaborated to a remarkable degree. Past considerations of Expressionism have tended to focus only on individual genres, making The Total Artwork in Expressionism: Art, Film, Literature, Theater, Dance and Architecture 1905-1925 the first-ever publication to examine the interplay between these forms. Here, masterpieces of Expressionist film such as Robert Wiene's The Cabinet of Dr. Caligari are united with set designs; the works of painters and set designers such as Ernst Barlach, Otto Bartning, Otto Dix, George Grosz, Wassily Kandinsky, Ernst Ludwig Kirchner, Oskar Kokoschka and Ludwig Meidner are examined, alongside film stills by C sar Klein and Hans Poelzig; and documents by Bruno Taut and Ernst Toller, music scores by Paul Hindemith, poster art, dance masks and stage photographs provide historical and archival background, building a unique panorama of the Expressionist period. Renowned authors, key works and source texts from all disciplines allow the reader to thoroughly experience the ways the genres mutually influenced each other during this revolutionary period.
by "Nielsen BookData"