Photography and Japan
Author(s)
Bibliographic Information
Photography and Japan
(Exposures / Mark Haworth-Booth and Peter Hamilton, series editors)
Reaktion, 2011
- : pbk
Available at 21 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 155-163
Includes index
Description and Table of Contents
Description
What defines Japanese photography? Is there a distinctive Japanese photographic aesthetic? In Photography and Japan, Karen M. Fraser argues that the diversity of styles, subjects and functions of Japanese photography precludes easy categorization along nationalized lines. Rather, the development of photography within Japan is best understood by examining its close relationship with the country's dramatic history. This book traces 150 years of photography, a period during which Japan has experienced some of the most significant events in modern history: a remarkable transformation from an isolated, feudal country into an industrialized, modern world power during the late nineteenth century, an equally striking rise and fall as an imperial power during the first half of the twentieth century, and a miraculous economic recovery in the decades following the utter devastation of World War Two. The history of photography has paralleled these events, becoming inextricably linked with notions of modernity and cultural change from the time it first arrived in the mid-nineteenth century.
The author considers this intertwined history by tracing the intersection of photog raphy and social history, focusing on the role of the camera in documenting key cultural and political events and in exploring social responses to cultural change. Thematic chapters that focus on photography's role in negotiating cultural identity, war photog raphy and the documentation of urban life introduce many photographs that will be unfamiliar to Western viewers, and provide a broadened cultural context for more well-known images.
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