The theatre and the state in Singapore : orthodoxy and resistance
著者
書誌事項
The theatre and the state in Singapore : orthodoxy and resistance
(RoutledgeCurzon contemporary Southeast Asia series, 30)
Routledge, 2011
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book provides a comprehensive examination of the contemporary English-language theatre field in Singapore. It describes Singapore theatre as a politically dynamic field that is often a site for struggle and resistance against state orthodoxy, and how the cultural policies of the ruling People's Action Party (PAP) have shaped Singapore theatre. The book traces such cultural policies and their impact from the early 1960s, and shows how the PAP used theatre - and arts and culture more widely - as a key part of its nation building programme.
Terence Chong argues that this diverse theatre community not only comes into regular conflict with the state, but often collaborates with it - depending on the rewards at stake, not to mention the assortment of intra-communal conflicts as different practitioners and groups vie for the same resources. It goes on to explore how new forms of theatre, especially English-language avant garde theatre, represented resistance to such government cultural control; how the government often exerts its power 'behind-the-scenes' to preserve its moral legitimacy; and conversely how middle class theatre practitioners' resistance to state power is strongly influenced by class and cultural capital.
Based on extensive original research including interviews with theatre directors and other theatre professionals, the book provides a wealth of information on theatre in Singapore overall, and not just on theatre-state relations.
目次
1. Imagining the Singapore Theatre Field 2. The Arts in Singapore: Site of Ideologies, Fantasies, and Orthodoxies 3. The Singapore Theatre Field: "A different world...unique" but not completely so 4. Claiming Authenticity: Theatre-State Tensions 5. Cultural Intermediaries: The Media and The Arts Education Programme 6. "Because it's in my blood": The Politics of Illusio 7. The Invisible State: Disciplining the Theatre Field 8. Resistance and Defiance: The Revenge of the Middle Class Artist
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