The 3D art book
著者
書誌事項
The 3D art book
Prestel, 2011
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
Since he was a kid, artist, designer, and vinyl toy impresario Tristan Eaton has been obsessed with the nostalgic look of 3D imagery. In The 3D Art Book, he parlays this fascination into a carefully curated selection of over 100 works by established and up-and-coming contemporary artists, expertly rendered as 3D images that can be viewed with red and blue glasses (included in the book). Many of the pieces, by artists respected within the designer toy, street art, Pop Surrealist, graffiti, graphic design and streetwear communities, were created specifically for this project. The included works range from otherworldly paintings by Eric White, Ron English and James Jean, to graffiti pieces by Dr. Revolt, Claw Money and HAZE, intricate designs by Tokidoki, 10Deep and Mishka NYC, cartoonish characters by Jon Burgerman, Miss Van and Gary Baseman, as well as pieces by heavyweights D*Face, Todd Schorr and Shepard Fairey. Each image is presented in a double-page spread, and comes jumping to life when viewed with 3D glasses. Eaton's introduction documents his personal history as an appreciator and creator of 3D art, while an essay by cultural critic Carlo McCormick provides a brief account of the history of images in the third dimension, focusing on stereoscopic 3D's rise to pop prominence in 1950s America.
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