Cinematic queerness : gay and lesbian hypervisibility in contemporary Francophone feature films
著者
書誌事項
Cinematic queerness : gay and lesbian hypervisibility in contemporary Francophone feature films
(Modern French identities / edited by Peter Collier, 98)
P. Lang, c2011
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Text in English and French
Includes bibliographical references and index
内容説明・目次
内容説明
The last three decades have witnessed the proliferation of gay/lesbian-themed films both on our screens and at international film festivals. This trend - termed 'hypervisibility' by Julianne Pidduck - has gone far beyond the boundaries of countries with a multicultural tradition and now reaches many territories, including the French-speaking world. What is the narrative and thematic originality of such films in French-speaking contexts? Do such feature films develop problematics and approaches specific to areas such as metropolitan France or Francophone Canada?
The sixteen essays included in this collection (six in English and ten in French) aim to answer to such questions by offering in-depth and challenging discussions of film productions from France and Quebec, ranging from Patrice Chereau's L'Homme blesse/The Wounded Man (1983) via Josiane Balasko's Gazon maudit (1995) to Jean-Marc Vallee's C.R.A.Z.Y. (2005). Works by Olivier Ducastel and Jacques Martineau, Sebastien Lifshitz, Gael Morel, Francois Ozon and Lea Pool are also examined.
目次
Contents: Florian Grandena/Cristina Johnston: Introduction - Julianne Pidduck: The Visible and the Sayable: The Moment and Conditions of Hypervisibility - Alain Brassart : Une Visibilite discrete : les lesbiennes dans le cinema francais des annees 1990 a nos jours - Laurence Enjolras : La Repetition : Circulez ! Y'a rien a voir - Denis Bachand : Identite sexuelle dans le cinema quebecois. Les voies croisees du desir dans A corps perdu - Lucille Cairns: Meres manquantes and Queer Triangulations: Emporte-moi and Lost and Delirious - Julie Vaillancourt : La Femme de l'hotel et Anne Trister : silences eloquents, desirs saphiques et revendication d'un nouvel espace - Benedicte Coste : Crustaces et coquillages : logique et ethique de l'identite post gaie - Florian Grandena: Things Unsaid and Stolen Images of Desire: Languages in Ma Vraie Vie a Rouen - James N. Agar: Developing Gay Con/texts in Early Gael Morel - Renaud Lagabrielle : Presque rien ? Homosexualite masculine et adolescence dans les fictions cinematographiques francaises contemporaines - Gilad Padva: Undressed Masculinities and Disrupted Sexualities in Une Robe d'ete - Evelyne Szaryk : " Vous voulez jouer a un jeu ? " : desir et manipulation dans Gouttes d'eau sur pierres brulantes - Dominique D. Fisher : Invisibilites et mises en scenes de l'homophobie : variations francaises et quebecoises, ou du Placard a C.R.A.Z.Y. - David A. Powell: C.R.A.Z.Y. Quebec: Vallee's Performance of Masculinity and Sovereignty - Brigitte Rollet: Queer or Not Queer Others: Gender Trouble and Postcolonial French Cinema - Jean-Pierre Simard : Hypervisibilite et reception des representations queer dans Chouchou et Wild Side : travestissement, transgenre et transexualite.
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