Your average nigga : performing race, literacy, and masculinity
著者
書誌事項
Your average nigga : performing race, literacy, and masculinity
(African American life series)
Wayne State University Press, c2007
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 155-160) and index
内容説明・目次
内容説明
In ""Your Average Nigga"", Vershawn Ashanti Young uses his own experiences to examine how black masculinity is shaped by identity performances of racial authenticity, academic literacy, class mobility, and sexuality. Moving between autobiography, autoethnography, and scholarly analysis, Young critiques proponents of ""code-switching"" whose solution to the black ""literacy gap"" requires inner-city youth to adopt white English vernacular at school and to reserve black English vernacular for home. ""Your Average Nigga"" exposes the factors that make black racial identity incompatible with literacy for blacks, especially black males. Drawing on scholarship in both performance theory and African American literary and cultural studies, Young argues that exaggerated perceptions of the gap between black and white linguistic performances harm inner-city blacks by requiring them to choose between abandoning their customary ways of speaking and behaving at the risk of alienating themselves from their families and communities and retaining their speech and behavior as a marker of racial authenticity while isolating themselves from mainstream society. Young also shows that exaggerated perceptions of the gap between black and white racial identities leave blacks in the impossible position of either trying to be white or forever struggling to prove that they are ""black enough."" For men, this also becomes an endless struggle to prove that they are masculine enough. Ultimately, Young argues that far from denaturalizing supposedly fixed identity categories, as many theorists have contended, racial performance only reinscribes the essentialism that it is believed to subvert. Scholars and teachers of rhetoric, performance studies, and African American studies will enjoy this insightful volume.
「Nielsen BookData」 より