Crafting Maya identity : contemporary wood sculptures from the Puuc Region of Yucatán, Mexico
著者
書誌事項
Crafting Maya identity : contemporary wood sculptures from the Puuc Region of Yucatán, Mexico
Northern Illinois University Press, c2009
- : large-format pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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注記
Catalog of an exhibition held at the Jack Olson Gallery, School of Art, Northern Illinois University, DeKalb, IL, Aug. 31-Sept. 25, 2009 and at Teatro Peon Contreras, Mérida, Yucatán, Sept.-Oct., 2010
Bibliography: p. 223-238
Includes index
内容説明・目次
内容説明
Published for the exhibition at the Jack Olson Gallery, School of Art, Northern Illinois University, curated by Jeff Karl Kowalski and Mary Katherine Scott
Based on ancient Maya imagery and sold to visitors to archaeological sites, the technically refined, finely detailed, and visually complex carvings created by the artisans of the Puuc region are often described as handicraft or "tourist art." These works, however, provide important information on how a relatively recent artistic tradition has emerged in and responded to particular historical and economic contexts. The influx of "cultural tourists" to archaeological sites in the Puuc region has provided the impetus for a group of entrepreneurial local artisans to combine opportunities for economic gain with creative expression. The carvings also communicate significant messages about the ambivalent nature of Maya cultural identity. Although tourism tends to reinforce ideas that the most authentic image of Maya culture resides in the Pre-Columbian past, the monetary incentive it provides has supported these artisans' efforts to reclaim and re-task such cultural imagery.
Accompanying essays by art historians and anthropologists-Kowalski, Janet Catherine Berlo, Christopher B. Steiner, Quetzil Castaneda, and Mary Katherine Scott-provide individualized studies of Native American, African, and Mesoamerican aesthetic artifacts. The authors examine issues that lie at the intersection of art, visual culture, cultural identities, authenticity, and globalization. A key focus includes how identity is constructed, represented, and understood both by the artisans and tourist visitors in the context of cross-cultural contact, mass media, and touristic promotion. The volume considers the broader role of artists and the visual arts in society and the study of such art forms in the context of changing conceptions of art and aesthetics.
Crafting Maya Identity presents the first comprehensive examination of the distinctive artworks produced by these Yucatec Maya carvers. The book will appeal to anthropologists, art historians, and scholars of Maya studies and cross-cultural aesthetics, as well as artists and collectors. Included is an abridged Spanish version of the introductory text and a foreword by Alfredo Barrera Rubio, former Director of the Regional Center of Yucatan of the Mexican National Institute of Anthropology and History.
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