Physical and spatial interaction in late medieval and Renaissance art
著者
書誌事項
Physical and spatial interaction in late medieval and Renaissance art
(Studies in medieval and Reformation thought, v. 156 . Push me,
Brill, 2011
- : set
並立書誌 全1件
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church's prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.
Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis Gonzalez Garcia, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.
目次
IMAGINATIVE VOLUME, Volume I
CONTENTS
Acknowledgements
List of Contributors
Illustrations ...
Introduction
PART I: SHIFTING PERSPECTIVES: TEXT, IMAGE, AND INTERACTION
Chapter 1 Encountering a Dream-Vision: Visual and Verbal Glosses to Guillaume
de Digulleville's Pelerinage Jhesucrist
Robert Clark & Pamela Sheingorn
Chapter 2 Dangerous Passages and Spiritual Redemption in the Hortus
Deliciarum
Elizabeth Monroe
Chapter 3 Turning the Pages: Marginal Narratives and Devotional Practice
in Gothic Prayerbooks
Anne Stanton
Chapter 4 Exploring the Border: the Breviary of Eleanor of Portugal
Margaret Goehring
Chapter 5 Inhabiting Alphabetic Space: Early Modern Architectural and
Human Alphabets
Erika Boeckler
PART II: IMAGINED PILGRIMAGE AND SPIRITUAL TOURISM
Chapter 6 Still Walking: Spiritual Pilgrimage, Early Dutch Painting
and the Dynamics of Faith
Henry Luttikhuizen
Chapter 7 Pilgrimage through the Pages: Pilgrims' Badges in Late
Medieval Devotional Manuscripts
Megan Foster-Campbell
PART III: INDULGENCES AND INTERACTIVITY
Chapter 8 Prayers and Promises: The Interactive Indulgence Print in the
Later Middle Ages
Walter Gibson
Chapter 9 Art and Advertising: Late Medieval Altarpieces in Germany
Amy Morris
Chapter 10 Who Sees Christ? An Alabaster Panel of the Mass of St. Gregory
Susan Ward
PART IV: PERFORMATIVITY AND EMPATHIC DEVOTIONAL PRACTICE
Chapter 1 The Well of Moses and Roland Barthes' 'Punctum' of Piety
Donna Sadler
Chapter 12 Sin and Redemption in Late-Medieval Art and Theater: The
Magdalen as Role Model in Hugo van der Goes's Vienna Diptych
Mark Trowbridge
Chapter 13 Communicating with the Eucharist: Sacramental Images
and Spiritual Communion
Kristen Van Ausdall
Chapter 14 The Visual and Verbal Rhetoric of Royal Private Piety in Renaissance
Spain
Juan Luis Gonzalez Garcia
PART V: REFLECTIONS IN MIRRORS, WALLS, AND INTERSTICES
Chapter 15 The fairest of them all: Reflections on Some Fourteenth-Century Mirrors
Alexa Sand
Chapter 16 Bones and Stones: Imaging Sacred Defense in Medieval Cologne
Scott Montgomery
Chapter 17 The Middle of Diptychs
Al Acres
PHYSICAL VOLUME, Volume II
CONTENTS
Acknowledgements
List of Contributors
Illustrations
Introduction
PART I: MANIPULATING OBJECTS, MANIPULATIVE OBJECTS
Chapter 1 Hugging the Saint: Improvising Ritual on the Pilgrimage to Santiago de Compostela
Kathleen Ashley
Chapter 2 Votives, Images, Interaction, and Pilgrimage to the Tomb and Shrine of St. Thomas Becket, Canterbury Cathedral
Sarah Blick
Chapter 3 Cradling Power: Female Devotions and Early Netherlandish
Jesueaux
Annette LeZotte
PART II: INSISTENT IMAGES AND SPACES
Chapter 4 Illusionism and Interactivity: Medieval Installation Art, Architecture and
Devotional Response
Laura Gelfand
Chapter 5 Consorting with stone: The figure of the speaking and moving statue in
early modern Italian writing
Lex Hermans
Chapter 6 Images, Efficacy & Ritual in the Renaissance: Burning the Devil and
Dusting the Madonna
Fredericka Jacobs
PART III: REVEALING AND CONCEALING
Chapter 7 Everybody's Darling. Transformation of value and transformation of
meaning in the veneration of St. Elizabeth of Thuringia
Viola Belghaus
Chapter 8 The Pilgrim's Progress: Devotional Journey through the Holy Womb
Elina Gertsman
Chapter 9 Memento Mori: The Deadly Art of Interaction
Suzanne Karr Schmidt
PART IV: PAINTING, SPECTACLE, AND PERFORMATIVITY
Chapter 10 Preparing the Mind. Preparing the Soul. The Fusion of Franciscan
Thought into the Daily Lives of Friars in the Sacristy Decoration of Santa Croce, Florence
Michelle Erhardt
Chapter 11 Parallelism in Giotto's Santa Croce Frescoes
Jane Long
Chapter 12 The Guiding Illusions of the Morrison Triptych
Mark Tucker and Lloyd De Witt
Chapter 13 Christian Crusade as Spectacle: The Cavalieri di Santo Stefano and
the Audiences for the Medici Weddings of 1589 and 1608
Kathryn Poole
PART V: LIMINALITY, RECEPTION, AND THE MEANING OF MOVEMENT
Chapter 14 Intellectual Projection, Liminal Penetration: Programmed Entry and
the Tympanum-less Portals of Western France and Northern Spain
Mickey Abel
Chapter 15 Bodies under Wraps, Revealed: Interaction in
twelfth-century French sculpture
Janet Snyder
Chapter 16 Movement, Metaphor and Memory: The Interactions Between
Pilgrims and Portal Programs
Vibeke Olson
Chapter 17 The Grand Procession at Tournai: the Community Writ Large
Rita Tekippe
Bibliography
Index
「Nielsen BookData」 より