Il trittico, Turandot, and Puccini's late style
著者
書誌事項
Il trittico, Turandot, and Puccini's late style
（Musical meaning and interpretation / Robert S. Hatten, editor）
Indiana University Press, c2010
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注記
Includes bibliographical references (p. 277-299) and index
内容説明・目次
内容説明
Giacomo Puccini is one of the most frequently performed and best loved of all operatic composers. In Il Trittico, Turandot, and Puccini's Late Style, Andrew Davis takes on the subject of Puccini's last two works to better understand how the composer creates meaning through the juxtaposition of the conventional and the unfamiliar-situating Puccini in past operatic traditions and modern European musical theater. Davis asserts that hearing Puccini's late works within the context of la solita forma allows listeners to interpret the composer's expressive strategies. He examines Puccini's compositional language, with insightful analyses of melody, orchestration, harmony, voice-leading, and rhythm and meter.
目次
Acknowledgments
Note on Scores, Librettos, and Translations
Introduction: Hearing Puccini
1. Stylistic Plurality, Narrative, Levels of Discourse, and Voice
2. The Romantic Style in Late Puccini
3. Expressive Uses of Convention in Il tabarro
4. Formal Multivalence in Suor Angelica
5. Humor and Filmic Effects in the Structure of Gianni Schicchi
6. Puccini's Solution: Integrating the Conventional and Unconventional
Epilogue: Late Style and Puccini
Notes
Bibliography
Index
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