Medieval music
著者
書誌事項
Medieval music
(The library of essays on music performance practice / Mary Cyr, editor)
Ashgate, c2011
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
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注記
Includes bibliographical references (p. [509]-511) and index
内容説明・目次
内容説明
Almost a thousand years of music are treated in this volume on the performance practice of the Middle Ages, covering monophony and polyphony, sacred and secular, genre and theory. The essays selected deal with the most crucial of performers' decisions: pitch, rhythm, and performing forces, as well as related matters such as proportions, tunings, and the need for ornamentation. The introduction provides an overview of the major issues and resources, situating medieval music within the context of the early music revival and the debate on authenticity and providing an extended bibliography of relevant scholarship.
目次
- Contents: Introduction
- Part I Plainchant: The performance of plainchant: some preliminary observations of the new era, Lance W. Brunner
- Giving voice to Gregorian chant or: coping with modern orthodoxies, Katarina Livljanic. Part II Secular Monophony: Rhythm, meter, and melodic organization in medieval songs, Hans Tischler
- The 'not-so-precisely measured' music of the Middle Ages, Hendrik van der Werf
- Voices and instruments in medieval French secular music: on the use of literary texts as evidence for performance practice, Sylvia Huot
- Johannes de Grocheio on secular music: a corrected text and a new translation, Christopher Page. Part III Polyphony to 1300: The performance of Parisian organum, Edward Roesner
- Franco of Cologne on the rhythm of organum purum, Charles M. Atkinson
- The Copula according to Johannes de Garlandia, Jeremy Yudkin
- Conductus and modal rhythm, Ernest H. Sanders
- The performance of ars antiqua motets, Christopher Page. Part IV Mass and Motet after 1300: Representations of the Mass in medieval and Renaissance art, James W. McKinnon
- The performing ensemble for English church polyphony, c.1320-c.1390, Roger Bowers
- Text underlay in early 15th-century musical manuscripts, Gilbert Reaney. Part V The Polyphonic Chanson: Machaut's 'pupil' Deschamps on the performance of music: voices or instruments in the 14th-century chanson, Christopher Page
- The performance of songs in late medieval France: a new source, Christopher Page
- Texting in 15th-century French chansons: a look ahead from the 14th century, Lawrence Earp
- Embellishment and urtext in the 15th-century song repertories, David Fallows. Part VI Other Matters: Musica recta and musica ficta, Margaret Bent
- The origin and early history of proportion signs, Anna Maria Busse Berger
- Jerome of Moravia on the Rubeba and Viella, Christopher Page
- The 'Arabian influence' thesis revisited, Shai Burstyn
- Series bibliography
- Name index.
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