Colonialism, modernity, and literature : a view from India

著者

    • Mohanty, Satya P. (Satya Prakash)

書誌事項

Colonialism, modernity, and literature : a view from India

edited and with an introduction by Satya P. Mohanty

(The future of minority studies)

Palgrave Macmillan, 2011

  • : hbk
  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

The product of years of cross-border and cross-disciplinary collaboration, this is an innovative volume of essays situated at the intersection of multi-disciplinary fields: postcolonial/subaltern theory; comparative literary analysis, especially with a South Asian and transnational focus; the study of 'alternative' and 'indigenous' modernities

目次

  • Introduction: Colonialism, Modernity, and Literature: Introducing the Issues
  • S.P.Mohanty PART I: VIEWS FROM BELOW: COMPARING LITERARY PERSPECTIVES * Critical Realisms in the Global South: Narrative Transculturation in Senapati's Six Acres and a Third and Garcia Marquez's One Hundred Years of Solitude
  • J.H.Vargas Views from Above and Below: George Eliot and Fakir Mohan Senapati
  • P.L.Sawyer Two Classic Tales of Village India: Investigating the Realist Epistemology in Chha Mana Atha Guntha and Godaan
  • H.S.Mohapatra Girls for Sale and Six Acres: The Shared World of Gurajada Apparao and Fakir Mohan Senapati
  • V.N.Rao The Emergence of the Modern Subject in Oriya and Assamese Literatures: Fakir Mohan Senapati and Hemchandra Barua
  • T.Misra 'Why Don't You Speak?': The Narrative Politics of Silence in Three South Asian Novels
  • U.Anjaria PART II: THE MANY CONTEXTS OF SIX ACRES AND A THIRD Gender and the Representation of Women in Six Acres and a Third
  • C.Horan Rediscovering Ramachandra Mangaraj. Chha Mana Atha Guntha: A Critique of Colonial Rule
  • G.N.Dash Tradition-Modernity Dialectic in Six Acres and a Third
  • D.K.Dash & D.R.Pattanaik Appendix: Hemchandra Barua's Classic Text Bahire Rongsong Bhitare Kowabhaturi (Fair Outside and Foul Within) - Translated from the Assamese by Tilottoma Misra

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