The tempest
著者
書誌事項
The tempest
(Shakespeare in performance)
Manchester University Press, 2011
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p.223-[230]) and index
内容説明・目次
内容説明
The Tempest - the last play Shakespeare wrote without a collaborator and the first included in the 1623 First Folio - occupies a unique place in cultural history. Probably no play of Shakespeare's has been so subject to appropriations and adaptations, many of which have had a tremendous impact upon the play's subsequent performance history.
From John Dryden and William Davenant's Restoration adaptation to Julie Taymor's 2010 film version, The Tempest has served as vehicle for each generation's exploration of a range of questions: what is the relationship between nature and nurture? What are the roles played by art and education in the formation of human values? What are appropriate uses of personal and political power? Can we find a balance between our contradictory longings for revenge and reconciliation? And, perhaps the most difficult question, what makes us human?
This study traces this complex dynamic through the play's 400-year history, drawing from promptbooks, reviews, playbills, actors' memoirs, as well as interviews with contemporary actors and directors, to examine The Tempest's role as a cultural mediator from its inception to the present. -- .
目次
Acknowledgments
List of Illustrations
Introduction
1. The Dryden-Davenant Tempest
2. The Tempest in Pictures
3. The Evolutionary Caliban
4. Prospero after Freud
5. Postcolonial Tempests
6. The Tempest in Postwar Europe
7. Two Japanese Tempests
8. The Tempest on Film and Television
9. Experimental Tempests
Epilogue
List of Productions
Bibliography
Index -- .
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