New impressions of Africa Nouvelles impressions d'Afrique
著者
書誌事項
New impressions of Africa = Nouvelles impressions d'Afrique
(Facing pages)
Princeton University Press, 2011
- タイトル別名
-
Nouvelles impressions d'Afrique
Nouvelles impressions d'Afrique
- 統一タイトル
-
Nouvelles impressions d'Afrique
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
French with English translation on facing pages
内容説明・目次
内容説明
Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle poque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dal--who dubbed it the most "ungraspably poetic" work of the era--Andr Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery. Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism.
This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.
目次
Introduction 1 Canto I: Damiette: La maison o? Saint Louis fut prisonnier / Damietta: The house where Saint Louis was held prisoner 18 Canto II: Le Champ de bataille des Pyramides / The Battlefield of the Pyramids 62 Canto III: La Colonne qui, l?ch?e jusqu?? ce que la langue saigne, gu?rit la jaunisse / The column that, when licked until the tongue bleeds, cures jaundice 178 Canto IV: Les Jardins de Rosette vus d?une dahabieh / The Gardens of Rosetta seen from a dahabieh 210
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