Different views in Hudson River School painting

著者

    • O'Toole, Judith H.
    • Westmoreland Museum of American Art

書誌事項

Different views in Hudson River School painting

Judith Hansen O'Toole

Columbia University Press , In association with Westmoreland Museum of American Art, c2005

大学図書館所蔵 件 / 1

この図書・雑誌をさがす

内容説明・目次

内容説明

Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character. In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus. Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation. Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.

目次

Preface Introduction American Scenery Different Views I. Introductory Pair: Cole and Church II. Times of Day III. Weather Conditions, Atmosphere, and Mood IV. Seasons V.Nature without Man VI. Man's Activities in Nature: Pleasure VII. Man's Impact on Nature: The Machine in the Garden VIII. Interpretations of the Same Scene by Different Artists IX. Samplers Endnotes Selected Bibliography List of Paintings Acknowledgments

「Nielsen BookData」 より

詳細情報

ページトップへ