Victorian culture and classical antiquity : art, opera, fiction, and the proclamation of modernity
著者
書誌事項
Victorian culture and classical antiquity : art, opera, fiction, and the proclamation of modernity
（Martin classical lectures）
Princeton University Press, c2011
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being.
With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
目次
List of Illustrations vii INTRODUCTION: Discipline and Revolution: Classics in Victorian Culture 1 PART 1. ART AND DESIRE CHAPTER ONE: The Art of Reception: J. W. Waterhouse and the Painting of Desire in Victorian Britain 23 Fleshliness and Purity 26 Visualizing Desire, Elsewhere 45 Off the Chocolate Box 62 CHAPTER TWO: The Touch of Sappho 65 Viewed in the Light of Greece 66 Touching 72 Sappho on the Strand 79 PART 2. MUSIC AND CULTURAL POLITICS CHAPTER THREE: Who Killed Chevalier Gluck? 87 Revolutionary Opera 90 The Art of Crying and the Happy Ending 97 Disinterring a Classic 104 The German Way 112 London Fashion 116 CHAPTER FOUR: Wagner's Greeks: The Politics of Hellenism 125 "To be half a day a Greek!" 127 Staging the Sonderweg 134 Endeavoring to Forget 140 PART 3. FICTION: VICTORIAN NOVELS OF ANCIENT ROME CHAPTER FIVE: For God and Empire 153 Every Book Needs a Hero 153 Whose History? 163 Fictionalizing the Past 177 CHAPTER SIX: Virgins, Lions, and Honest Pluck 193 The Knebworth Apollo 193 The Fiction of the Church 202 The Best-Selling Novel in America 215 The Harry Potter Effect 223 Jews, Egyptians, and Other Cliches of the Popular Sublime 231 SEVEN: Only Connect! 245 The Life of the Author 245 Victoria's Historian, Darwin's Parson 251 The Fight for the Middle Ground 258 CODA 265 Notes 273 Bibliography 313 Index 341
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