Classical Japanese cinema revisited
著者
書誌事項
Classical Japanese cinema revisited
Continuum, c2011
- : pbk
- : hardback
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注記
Filmography: p. 159-162
Bibliography: p. 163-168
内容説明・目次
- 巻冊次
-
: hardback ISBN 9781441116819
内容説明
Catherine Russell demystifies the canon of great Japanese cinema, treating it with fewer auteurist and Orientalist assumptions than many other scholars and critics. Catherine Russell's highly accessible book approaches Japanese cinema as an industry closely modeled on Hollywood, focusing on the classical period - those years in which the studio system dominated all film production in Japan, from roughly 1930 to 1960. Respectful and thoroughly informed about the aesthetics and critical values of the Japanese canon, Russell is also critical of some of its ideological tendencies, and her analyses provide new insights on class and gender dynamics. Russell demonstrates how Japanese classical cinema has had enormous influence on other Asian cinemas, especially in TV broadcast form, and she highlights the importance of the accounting for the industrial production context when discussing these films. Including studies of landmark films by Ozu, Kurosawa and other directors, this book provides a perfect introduction to a crucial and often misunderstood Japanese cultural output.
With a critical approach that highlights the "everydayness" of Japanese studio-era cinema, Catherine Russell demystifies the canon of great Japanese cinema, treating it with fewer auteurist and Orientalist assumptions than many other scholars and critics.
目次
- Acknowledgements
- Preface
- 1. The Classical, the Modern, and Japanese Cinema in the Global System
- 2. Yasujiro Ozu: A Short History of the Home Drama
- 3. Kenji Mizoguchi and his Women
- 4. Men with Swords and Men with Suits: The Cinema of Akira Kurosawa
- 5. Mikio Naruse: A Japanese Woman's Cinema
- 6. Remembering the War: Three Postwar War Films
- Conclusion
- Filmography
- Bibliography
- Glossary.
- 巻冊次
-
: pbk ISBN 9781441133274
内容説明
Catherine Russell's highly accessible book approaches Japanese cinema as an industry closely modeled on Hollywood, focusing on the classical period - those years in which the studio system dominated all film production in Japan, from roughly 1930 to 1960. Respectful and thoroughly informed about the aesthetics and critical values of the Japanese canon, Russell is also critical of some of its ideological tendencies, and her analyses provide new insights on class and gender dynamics. Russell demonstrates how Japanese classical cinema has had enormous influence on other Asian cinemas, especially in TV broadcast form, and she highlights the importance of the accounting for the industrial production context when discussing these films. Including studies of landmark films by Ozu, Kurosawa and other directors, this book provides a perfect introduction to a crucial and often misunderstood area of Japanese cultural output. With a critical approach that highlights the everydaynessA" of Japanese studio-era cinema, Catherine Russell demystifies the canon of great Japanese cinema, treating it with fewer auteurist and Orientalist assumptions than many other scholars and critics.
目次
Acknowledgements Preface 1. The Classical, the Modern, and Japanese Cinema in the Global System 2. Yasujiro Ozu: A Short History of the Home Drama 3. Kenji Mizoguchi and his Women 4. Men with Swords and Men with Suits: The Cinema of Akira Kurosawa 5. Mikio Naruse: A Japanese Woman's Cinema 6. Remembering the War: Three Postwar War Films Conclusion Filmography Bibliography Glossary
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