Painted poetry : colour in Baudelaire's art criticism
著者
書誌事項
Painted poetry : colour in Baudelaire's art criticism
（Modern French identities / edited by Peter Collier, v. 63）
P. Lang, c2011
- : pbk. : alk. paper
- タイトル別名
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Painted portry
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Before becoming a poet, Charles Baudelaire was an art critic; and he made his literary debut with the Salon de 1845. Its failure to find a receptive audience led him to write the groundbreaking Salon de 1846 with its pivotal chapter on colour, in which Baudelaire challenged fundamental critical concepts of art by insisting on colour's complexity, expressivity and modernity. Through a close reading of his critical essays on art, this book examines how Baudelaire's thoughts on colour developed throughout his life and sets them in the context of traditional views of colour. What effect did the new scientific theories of colour harmony, filtered through his conversations with Delacroix and other artists, have on Baudelaire? Why did he see Daumier as a colourist, but not Ingres? What made him turn his back on French art in 1859 and which artist changed his mind? Baudelaire's interest in a highly personal form of colour symbolism is investigated, as well as the part that colour plays in developing his later, central idea of a creative and poetic imagination capable of translating all the arts.
目次
Contents: Colour Blindness: Perceptions of Colour before Baudelaire - Colour Vision: The Science of Seeing - Colour and Drawing: Resolving the Conflict? - Colour Symbolism: Art, Poetry and Music - Colour and Imagination: Translating the Dream.
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