Maoriland : New Zealand literature, 1872-1914
Author(s)
Bibliographic Information
Maoriland : New Zealand literature, 1872-1914
Victoria University Press, 2006
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 326-340) and index
Description and Table of Contents
Description
The literature of Maoriland, as New Zealand was popularly known from the 1880s to the beginning of the First World War, remains the 'black hole' in New Zealand's literary memory. In the 1930s Allen Curnow and Denis Glover associated the Maoriland writers with sentiment, gentility and colonial deference. Today, Maoriland evokes a world of saccharine fantasy in which Maori warriors in heroic attitudes and Maori maidens in seductive ones inhabited outmoded Victorian literary forms, while at the same time the business of settlement sidelined and dispossessed actual Maori. Maoriland: New Zealand Literature 1872-1914 argues that such glib dismissals of the past do disservice to the present, seeing in the writing of Maoriland something more complex and more diverse: the beginnings of a self-consciously New Zealand literature, which adapts European literary forms to the new place. In this period are the origins of much of New Zealand's progressive social legislation, the roots of modern feminism, the establishment of ways in which we regard the natural world, and the manufacture of the defining roles by which we still enact our bicultural relations.
This is the first book to examine a crucial period in the shaping of New Zealand literature. It connects the cultural forms of Maoriland to both larger patterns of empire and contemporary criticism, looking at the writing in all its complexities, contradictions and evasions.
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