Willa Cather and modern cultures

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Willa Cather and modern cultures

edited by Melissa J. Homestead and Guy J. Reynolds

（Cather studies / edited by Susan J. Rosowski, 9）

University of Nebraska Press, c2011

  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Linking Willa Cather to "the modern" or "modernism" still seems an eccentric proposition to some people. Born in 1873, Cather felt tied to the past when she witnessed the emergence of twentieth-century modern culture, and the clean, classical sentences in her fiction contrast starkly with the radically experimental prose of prominent modernists. Nevertheless, her representations of place in the modern world reveal Cather as a writer able to imagine a startling range of different cultures. Divided into two sections, the essays in Cather Studies, Volume 9 examine Willa Cather as an author with an innovative receptivity to modern cultures and a powerful affinity with the visual and musical arts. From the interplay between modern and antimodern in her representations of native culture to the music and visual arts that animated her imagination, the essays are unified by an understanding of Cather as a writer of transition whose fiction meditates on the cultural movement from Victorianism into the twentieth century.

目次

Editorial Policy Introduction Melissa J. Homestead and Guy J. Reynolds 1. Willa Cather in and out of Zane Grey's West John N. Swift 2. Thea's "Indian Play" in The Song of the Lark Sarah Clere 3. "Jazz Age" Places: Modern Regionalism in Willa Cather's The Professor's House Kelsey Squire 4. Changing Trains: Metaphors of Transfer in Willa Cather Mark A. R. Facknitz 5. Chicago's Cliff Dwellers and The Song of the Lark Michelle E. Moore 6. Willa Cather and Henry Blake Fuller: More Building Blocks for The Professor's House Richard C. Harris 7. Cather's "Office Wives" Stories and Modern Women's Work Amber Harris Leichner 8. It's Mr. Reynolds Who Wishes It: Profit and Prestige between Cather and Her Literary Agent Matthew Lavin 9. Thea at the Art Institute Julie Olin-Ammentorp 10. Art and the Commercial Object as Ekphrastic Subjects in The Song of the Lark and The Professor's House Diane Prenatt 11. "The Nude Had Descended the Staircase": Katherine Anne Porter Looks at Willa Cather Looking at Modern Art Janis P. Stout 12. "The Cruelty of Physical Things": Picture Writing and Violence in Willa Cather's "The Profile" Joyce Kessler 13. "Before Its Romanzas Have Become Street Music": Cather and Verdi's Falstaff, Chicago, 1895 John H. Flannigan Contributors Index

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関連文献： 1件中  1-1を表示

  • Cather studies

    edited by Susan J. Rosowski

    University of Nebraska Press c1990-

    v. 1 , v. 2 , v. 3

    所蔵館31館

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