The York mystery plays : performance in the city
著者
書誌事項
The York mystery plays : performance in the city
York Medieval Press, 2011
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"The University of York."
Bibliography: p. 229-242
Includes index
内容説明・目次
内容説明
Essays on the York Mystery Plays, uniting voices from the scholarly world with the York community that has assumed responsibility for their production today.
The York Play of Corpus Christi, also known as the York Cycle, has been central to the study of early English theatre for over a century and a touchstone for the revival of medieval dramatic practice for over fifty years. But these two endeavours... have often found little common ground. This volume therefore accomplishes something very important. It brings together scholars of medieval English drama and places them in dialogue with experienced practtitioners from the community. Together, they share a common commitment to understanding how performances matter to the communities that produce them, and how plays intersect with other public activities. CAROL SYMES, Professor of History, University of Illinois at Urbana.
This volume provides a wealth of new insights into the performance of mystery plays in medieval York and their modern revival. It utilises both academic study, and the practical experience of those who now produce the cycle within York itself on wagons in the street, in an approximation of their original performance. A number of topics are covered. The manuscript is linked to Richard III; the Masons are introduced as non-guildsmen in an enterprise assumed to be guild-specific; families, not just male heads of households, are shown to be important to the dramatic narrative; and cognitive theory elucidates performance past and present.Recent productions are discussed in lively detail by those directly responsible for them, leading to analyses of performances in Israel, Spain, and Australia, not all of them of a predictable kind, which offer further angles on the medieval dramatic tradition.
Professor Margaret Rogerson teaches in the Department of English at the University of Sydney.
Contributors: Margaret Rogerson, Keith Jones, Richard Beadle, Sheila K. Christie,Mike Tyler, Jill Stevenson, Elenid Davies, Ben Pugh, Peter Brown, Tony Wright, Steve Bielby, Emma Cunningham, Alan Heaven, Linda Ali, Paul Toy, Gweno Williams, John Merrylees, David Richmond, Alexandra F. Johnston, Sharon Aronson-Lehavi, Pamela M. King
目次
Introduction: Performance in the City - Margaret Rogerson
Foreword: The Mystery Plays and the Community - Keith Jones
Nicholas Lancaster, Richard of Gloucester, and the York Corpus Christi Play - Richard Beadle
Bridging the Jurisdictional Divide: The Masons and the York Corpus Christi Play - Sheila Christie
Group Dynamics: The Noah Family in the York Pageant of The Flood - Mike Tyler
Embodied Enchantments: Cognitive Theory and the York Mystery Plays - Jill Stevenson
Performing Mystery Plays in twenty-first-century York: Practicalities of Modern Production: Setting the Groundwork - Elenid Davies
Performing Mystery Plays in twenty-first-century York: Practicalities of Modern Production: Setting the Groundwork - Ben Pugh
Performing Mystery Plays in twenty-first-century York: The Pageant Master's Overview - Mike Tyler
The York Wagons: Construction, Dressing, and Performance: Designing for the Fall of the Angels [Young York Civic Trust] - Peter Brown
The York Wagons: Construction, Dressing, and Performance: A Custom-built Wagon for the Crucifixion Play [Company of Butchers] - Tony Wright
The York Wagons: Construction, Dressing, and Performance: Creation of the World to the Fifth Day - the Wagon [York Guild of Building] - Steve Bielby
Interpreting the York Text: Words and Music: The Potters' Pageant of Pentecost [Pocklington School] - Emma Cunningham
Interpreting the York Text: Words and Music: The Potters' Pageant of Pentecost [Pocklington School] - Alan Heaven
Interpreting the York Text: Words and Music: The Pageant of The Resurrection - Christ's Appearance to Mary Magdalene - Linda Ali
Interpreting the York Text: Words and Music: Music and the York Mystery Plays - Paul Toy
Producing The Creation and Fall of Man in twenty-first-century York: 'Thys werke is wroght now' - Gweno Williams
The Communities of the York Plays - Alexandra F. Johnston
Raising the Cross: Pre-Textual Theatricality and the York Crucifixion Play - Sharon Aronson-Lehavi
Confraternities and Civic Ceremonial: The Siena Palio - Pamela M. King
Devotional Acting: Sydney 2008 and Medieval York - Margaret Rogerson
Glossary
Bibliography
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