Yasuzo Nojima Yasuzo Nojima
著者
書誌事項
Yasuzo Nojima = Yasuzo Nojima
Skira, 2011
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalog of an exhibition at the Fotomuseo Giuseppe Panini, Modena, Italy, March 27-June 5, 2011
Italian and English
Includes bibliographical references (p. 143)
内容説明・目次
内容説明
The first English language monograph on one of the most important figures in the history of modern Japanese photography. Nojima's works range from kaiga shugi shashin (pictorial photography) to shinko- shashin (new/straight photography) of the early twentieth century. His earliest photographs are characterized by a density and heaviness echoing that of pictorialism, based in his subtle sensitivity and the pigment printing process, the mainstream printing method of that time. In the 1930s, his style takes a drastic turn under the influence of new trends in German photography, shifting toward cropped gelatine silver prints in pursuit of a form of expression that is unique to the medium. Nojima was also known as an enthusiastic art lover, opening a gallery called 'Kabutoya Gado-' (1919-20) in the Jimbo--cho- district of Tokyo at his own expense, holding exhibitions of works by up-and-coming artists - especially those of the Shirakaba-ha (White Birch Group), a literary movement that included artists such as renowned painters Umehara Ryu-zaburo- (1888-1986) and Kishida Ryu-sei (1891-1929) - in the salon located in his own home, and acting as a patron for these artists. As an advocate of contemporary art of his time, Nojima not only ran a gallery but also took photographs of artworks for their publication in art magazines and monographs.
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