Listening as spiritual practice in early modern Italy
著者
書誌事項
Listening as spiritual practice in early modern Italy
University of California Press, c2011
- : cloth
大学図書館所蔵 件 / 全2件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 197-212) and index
内容説明・目次
内容説明
The early seventeenth century, when the first operas were written and technical advances with far-reaching consequences - such as tonal music - began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell'Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell'Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation.
目次
Acknowledgments Introduction: Listening as Spiritual Practice 1. Rapt Attention 2. Aural Collecting 3. Proper Listening 4. Noble and Manly Understanding Envoy: From Gusto to Gout Appendix: Lelio Guidiccioni, "Della Musica": Transcription and Translation Notes Bibliography Index
「Nielsen BookData」 より
