China forever : the Shaw Brothers and diasporic cinema
著者
書誌事項
China forever : the Shaw Brothers and diasporic cinema
(Popular culture and politics in Asia Pacific)
University of Illinois Press, c2008
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
Filmography: p. [255]-256
内容説明・目次
内容説明
Started in Shanghai in the 1920s, the legendary Shaw Brothers Studio began to dominate the worldwide Chinese film market after moving its production facilities to Hong Kong in 1957. Drawing together scholars from such diverse disciplines as history, cultural geography, and film studies, China Forever addresses how the Shaw Brothers raised the production standards of Hong Kong cinema, created a pan-Chinese cinema culture and distribution network, helped globalize Chinese-language cinema, and appealed to the cultural nationalism of the Chinese who found themselves displaced and unsettled in many parts of the world during the twentieth century. Contributors are Timothy P. Barnard, Cheng Pei-pei, Ramona Curry, Poshek Fu, Lane J. Harris, Law Kar, Sundiata Keita Cha-Jua, Lilly Kong, Siu Leung Li, Paul G. Pickowicz, Fanon Che Wilkins, Wong Ain-ling, and Sai-shing Yung.
目次
Acknowledgments vii
Introduction: The Shaw Brothers Diasporic Cinema 1
Poshek Fu
1. Shaw Cinema Enterprise and Understanding Cultural Industries 27
Lily Kong
2. Shaw's Cantonese Productions and Their Interactions with Contemporary Local and Hollywood Cinema 57
Law Kar
3. Embracing Glocalization and Hong Kong-Made Musical FIlm 74
Siu Leung Li
4. Three Readings of Hong Kong Nocturne 95
Paul G. Pickowicz
5. The Black-and-White Wenyi Films of Shaws 115
Wong Ain-ling
6. Territorialization and the Entertainment Industry of the Shaw Brothers in Southeast Asia 133
Sai-shing Yung
7. The Shaw Brothers' Malay FIlms 154
Timothy P. Barnard
8. Bridging the Pacific with Love Eterne 174
Ramona Curry
9. Black Audiences, Blaxploitation and Kung Fu Films, and Challenges to White Celluloid Masculinity 199
Sundiata Keita Cha-Jua
10. Shaw Brothers Cinema and the Hip-Hop Imagination 224
Fanon Che Wilkins
11. Reminiscences of the Life of an Actress in Shaw Brothers' Movietown 246
Cheng Pei-pei
(translated by Jing Jing Chang and Jeff McClain)
Select Filmography 255
Lane J. Harris
Contributors 257
Index 261
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