Palace of the people : the Crystal Palace at Sydenham, 1854-1936
著者
書誌事項
Palace of the people : the Crystal Palace at Sydenham, 1854-1936
Hurst, 2004
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 223-227) and index
内容説明・目次
内容説明
This text traces the rise and fall of what became known as "The People's Palace", the Crystal Palace at Sydenham in South London. With its stark geometrical design it was architecturally years ahead of its time, but it was also a fascinating and idealistic social laboratory of entertainment and information that foreshadowed much that we take for granted in today's theme parks, zoos and shopping malls. Based on Paxton's design for the Great Exhibition in 1851, after its relocation to Sydenham the Crystal Palace was much enlarged, with three transepts instead of one, and used twice the amount of glass as in Hyde Park in 1851. Among the topics explored by Jan Piggott are the personalities behind the Crystal Palace. He also investigates what went on there. He draws on eye-witness accounts, both from memoirs and newspapers, so that the reader gets a sense of what visiting Crystal Palace was like in an era before film or television. As much as the spectacular structure itself, the Crystal Palace drew visitors for over 80 years because of the amazing series of exhibitions and nationals ceremonials staged there. It also attracted the cream of British and European society.
目次
- Contents: I The 'Parent Building' and the Great Exhibition -- II 'What is to become of the Crystal Palace?' The move to Sydenham and the construction -- III The Architectural Courts -- IV Ethnography
- Botany
- Sculpture
- the Industrial Courts
- Photography V The Park and the 'Extinct Animals' VI Music VII Events and Visitors Postscript: the Fire, 1936, to the present
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