The new painting of the 1860s : between the pre-raphaelites and the aesthetic movement

著者

書誌事項

The new painting of the 1860s : between the pre-raphaelites and the aesthetic movement

Allen Staley

Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, c2011

大学図書館所蔵 件 / 全17件

この図書・雑誌をさがす

注記

Includes bibliographical references and index

内容説明・目次

内容説明

This handsome volume is the first authoritative survey of one of the most intriguing periods of British art-the radically innovative decade of the 1860s. The book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon, and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. The New Painting of the 1860s examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement. Published for the Paul Mellon Centre for Studies in British Art

「Nielsen BookData」 より

詳細情報

ページトップへ