The jaguar within : shamanic trance in ancient Central and South American art
著者
書誌事項
The jaguar within : shamanic trance in ancient Central and South American art
（The Linda Schele series in Maya and pre-Columbian studies）
University of Texas Press, 2011
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注記
Includes bibliographical references (p. [217]-223) and index
内容説明・目次
内容説明
Shamanism-the practice of entering a trance state to experience visions of a reality beyond the ordinary and to gain esoteric knowledge-has been an important part of life for indigenous societies throughout the Americas from prehistoric times until the present. Much has been written about shamanism in both scholarly and popular literature, but few authors have linked it to another significant visual realm-art. In this pioneering study, Rebecca R. Stone considers how deep familiarity with, and profound respect for, the extra-ordinary visionary experiences of shamanism profoundly affected the artistic output of indigenous cultures in Central and South America before the European invasions of the sixteenth century.
Using ethnographic accounts of shamanic trance experiences, Stone defines a core set of trance vision characteristics, including enhanced senses, ego dissolution, bodily distortions, flying, spinning and undulating sensations, synaesthesia, and physical transformation from the human self into animal and other states of being. Stone then traces these visionary characteristics in ancient artworks from Costa Rica and Peru. She makes a convincing case that these works, especially those of the Moche, depict shamans in a trance state or else convey the perceptual experience of visions by creating deliberately chaotic and distorted conglomerations of partial, inverted, and incoherent images.
目次
Acknowledgments
Introduction
Chapter 1. General Recurrent Themes in the Phenomenology of Visions
Chapter 2. The Common Perceptual Phenomena and Stages of the Visionary Experience
Chapter 3. Visions and Shamanizing: The Intermediary Role, Anomalousness, Control, and Balance
Chapter 4. Embodying the Shaman in Trance: Embracing Creative Ambiguity
Chapter 5. Shamanic Embodiment in Ancient Costa Rican Art I: At the Human End and the Balance Point of the Flux Continuum
Chapter 6. Shamanic Embodiment in Ancient Costa Rican Art II: Toward the Animal End and Beyond the Flux Continuum
Chapter 7. Shamanic Embodiment in Ancient Central Andean Art I: Toward the Human End and the Balance Point of the Flux Continuum
Chapter 8. Shamanic Embodiment in Ancient Central Andean Art II: Toward the Animal End and Beyond the Flux Continuum
Conclusion
Notes
Works Cited
Index
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