Barry Flanagan : early works 1965-1982
著者
書誌事項
Barry Flanagan : early works 1965-1982
Tate Publishing , Distributed in the United States and Canada by Abrams, c2011
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published on the occasion of the exhibition Barry Flanagan : early works 1965-1982, Tate Britain, 27 September 2011 - 2 January 2012
Exhibited works: p. 154-156
Includes indexes
内容説明・目次
内容説明
The sculptor Barry Flanagan (1941-2009) was best known for his bronze hare sculptures that walk, leap or sit in galleries and public spaces around the world. The success of these and related animal sculptures relatively late in his career has somewhat obscured the achievements that characterised Flanagan's earlier period. Focusing on the artist's studio practice, this book brings together works from between 1965 and 1982, re-evaluating Flanagan's position as a key figure in the development of British and international sculpture. Using media as varied as cloth, felt, clay, plaster and rope, Flanagan created works that were a unique exploration of the interaction of idea, form and process. The authors also investigate Flanagan's engagement with literature, especially concrete poetry, and 'pataphysics, the pseudo-science derived from the writings of Alfred Jarry, which was a key inspiration. Flanagan trained at St Martins School of Art, where he was taught by Anthony Caro, Phillip King and John Latham.
At different times during his career he was involved with magazine publication, film making, dance and performance, as well as sculpture, each discipline feeding into and enriching the other. This first comprehensive, extensively illustrated study of Flanagan's early years ends with the production of his first hare sculpture in 1982, and accompanies a major exhibition at Tate Britain.
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