Creative industries : critical readings
著者
書誌事項
Creative industries : critical readings
Berg, 2012
内容説明・目次
内容説明
Across post-industrial societies worldwide, the creative industries are increasingly seen as a key economic driver. These industries - including fields as diverse as advertising, art, computer games, crafts, design, fashion, film, museums, music, performing arts, publishing, radio, theatre and TV - are built upon individual creativity and innovation and have the potential to create wealth and employment through the mechanism of intellectual property.
Creative Industries: Critical Readings brings together the key writings - drawing on both journals and books - to present an authoritative and wide-ranging survey of this emerging field of study.
The set is presented with an introduction and the writings are divided into four volumes, organized thematically:
Volume 1: Concepts - focuses on the concept of creativity and the development of government and industry interest in creative industries;
Volume 2: Economy - maps the role and function of creative industries in the economy at large;
Volume 3: Organization - examines the ways in which creative institutions organize themselves; and
Volume 4: Work - addresses issues of creative work, labour and careers
This major reference work will be invaluable to scholars in economics, cultural studies, sociology, media studies and organization studies.
目次
- VOLUME 1: CONCEPTS 1. From Culture Industry to Creative Industries 1) Adorno, Theodor W. and Horkheimer, Max (1972) 'The Culture Industry: Enlightenment as Mass Deception' in their The Dialectic of Enlightenment. London: Verso, pp. 120-124, 136-149, 154-167 2) Adorno, Theodor W. (1975) 'Culture Industry Reconsidered' New German Critique 6: 12-19 3) Miege, Bernard (1987) 'The Logics at Work in the New Cultural Industries' Media, Culture and Society 9: 273 -289 4) Lacroix, Jean-Guy and Gaetan Tremblay (1997) 'The Emergence of Cultural Industries into the Foreground of Industrialization and Commodification: Elements of Context' Current Sociology 45 (4): 803-820 5) Hirsch, Paul M. (2000) 'Cultural Industries Revisited.' Organization Science 11 (3): 356-361 6) Jeffcutt, Paul, Pick, John, and Robert Protherough (2000) 'Culture and Industry: Exploring the Debate' Culture and Organization 6 (2): 129-143 7) Bustamante, Enrique (2004) 'Cultural Industries in the Digital Age: Some Provisional Conclusions' Media, Culture & Society 26 (6): 803-820 2. Creative Industries and Policy 8) DiMaggio, Paul and Michael Useem (1978) 'Cultural Property and Public Policy: Emerging Tensions in Government Support for the Arts.' Social Research 45: 356-389 9) Scott, Allen (1996) 'The craft, Fashion, and Cultural Products Industries of Los Angeles: Competitive Dynamics and Policy Dilemmas in a Multi-Sectoral Image Producing Complex.' Economic Development Quarterly 7: 296-309 10) Garnham, Nicholas (1987) 'Concepts of Culture: Public Policy and the Cultural Industries.' Cultural Studies 1 (1) 23-37 11) Hesmondhalgh, David and Andy C. Pratt (2005) 'Cultural Industries and Cultural Policy' International Journal of Cultural Policy 11 (1): 1-13 12) Ahearne, Jeremy (2003) 'Cultural Policy in the Old Europe: France and Germany' International Journal of Cultural Policy 9 (2): 127-131 13) Power, Dominic (2003) 'The Nordic 'Cultural Industries': a Cross-National Assessment of the Place of the Cultural Industries in Denmark, Finland, Norway and Sweden' Geografiska Annaler. Series B, Human Geography 85 (3): 167-180 14) Cunningham, Stuart (2002) 'From Cultural to Creative Industries: Theory, Industry, and Policy Implications' Media Information Australia (Incorporating Culture & Policy) 102: 54-65 15) O'Connor, Justin and Gu Xin (2006) 'A New Modernity? The Arrival of 'Creative Industries' in China' International Journal of Cultural Studies 9: 271-283 16) Miller, Toby (2004) 'A View From a Fossil: the New Economy, Creativity and Consumption - Two or Three Things I Don't Believe in' International Journal of Cultural Studies 7 (1): 55-65 3. Creative Industries and Creativity 17) Olsen, Fred (1954) 'The Nature of Creative Thinking.' The Phi Delta Kappan 35 (5): 198-200 18) Negus, Keith and Michael Pickering (2000) 'Creativity and Cultural Production.' International Journal of Cultural Policy 6 (2): 259-282 19) Nixon, Sean (2006) 'The Pursuit of Newness: Advertising, Creativity and the 'Narcissism of Minor Differences.' Cultural Studies 20 (1): 89-106 20) Negus, Keith (1998) 'Cultural Production and Corporation: Musical Genres and the Strategic Management of Creativity in the US Recording Industry.' Media, Culture & Society 20 (3): 359-379 21) Tschmuck, Peter (2003) 'How Creative are the Creative Industries? A Case of the Music Industry.' The Journal of Arts Management, Law, and Society 33 (2): 127-141 22) Osborne, Thomas (2003) 'Against 'Creativity': a Philistine Rant.' Economy and Society 32 (4): 507-525 VOLUME 2: ECONOMY 1. Culture and Economy 1) Caves, Richard E. (2003) 'Contracts Between Art and Commerce.' The Journal of Economic Perspectives 17 (2): 73-84 2) Miege, Bernard (1979) 'The Cultural Commodity.' Media, Culture and Society 1: 297-311 3) du Gay Paul and Mike Pryke (2002) 'Cultural Economy: an Introduction,' in their edited Cultural Economy. London: Sage, pp.1-12 4) Loefgren, Orvar (2003) 'The New Economy: a Cultural History.' Global Networks 3 (3): 239-254 5) McRobbie, Angela (1998) 'A Mixed Economy of Fashion Design,' in her British Fashion Design: Rag Trade or Image Industry, London: Routledge, pp. 89-103 6) McFall, Liz (2000) 'A Mediating Institution? Using an Historical Study of Advertising Practice to Rethink Culture and Economy.' Journal for Cultural Research 4 (3): 314-337 7) Gibson, Chris and Natascha Klocker (2004) 'Academic Publishing as 'Creative' Industry, and Recent Discourses of 'Creative Aconomies', Some Critical Reflections.' Area 36 (4): 423-434 2. Markets 8) Bourdieu, Pierre (1985) 'The Market of Symbolic Goods.' Poetics 14 (1-2): 17-23
- 28-44 9) Plattner, Stuart (1998) 'A Most Ingenious Paradox: the Market for Contemporary Fine Art.' American Anthropologist, New Series, 100 (2): 482-493 10) Velthuis, Olav (2003) 'Symbolic Meanings of Prices: Constructing the Value of Contemporary Art in Amsterdam and New York Galleries.' Theory and Society 32 (2): 181-215 11) Aspers, Patrik (2001) 'A Market in Vogue: Fashion Photography in Sweden.' European Societies 3 (1): 1-22 12) Entwistle, Joanne (2002) 'The Aesthetic Economy: the Production of Value in the Field of Fashion Modelling.' Journal of Consumer Culture 2 (3): 317-339 3. Cultural Economy and Space 13) Pratt, Andy C. (2004) 'The Cultural Economy: a Call for Spatialized 'Production of Culture' Perspectives.' International Journal of Cultural Studies 7 (1): 117-128 14) Scott, Allen J. (1999) 'The Cultural Economy: Geography and the Creative Field.' Media, Culture and Society 21: 807-817 15) Norcliffe, Glen and Olivero Rendace (2003) 'New Geographies of Comic Book Production in North America: the New Artisan, Distancing, and the Periodic Social Economy.' Economic Geography 79 (3): 241-263 4. Cultural Economics 16) Tepper, S.J. (2002) 'Creative Assets and the Changing Economy.' Journal of Arts Management, Law & Society 32 (2): 159-68 17) Throsby, David (1994) 'The Production and Consumption of the Arts: a View of Cultural Economics.' Journal of Economic Literature, Vol. 32, No. 1 (Mar.), pp. 1-29 18) Towse, Ruth (2006) 'Copyright and Artists: a View from Cultural Economics.' Journal of Economic Surveys 20 (4): 567-585 5. Political Economy 19) Adorno, Theodor W. (1945) 'A Social Critique of Radio Music.' The Kenyon Review 7 (2): 208-217 20) Garnham, Nicholas (1979) 'Contribution to a Political Economy of Mass Communication.' Media, Culture and Society 1: 123-146 21) McChesney, Robert (2003) 'The Problem of Journalism: a Political Economic Contribution to an Explanation of the Crisis in Contemporary US Journalism.' Journalism Studies 4 (3): 299-329 22) Garofalo, Reebee (1987) 'How Autonomous is Relative: Popular Music, the Social Formation and Cultural Struggle.' Popular Music 6: 77-92 VOLUME 3: ORGANIZATION 1. Art World 1) Danto, Arthur (1964) 'The Artworld' The Journal of Philosophy 61 (19): 572-575, 580-581 2) Dickie, George (1971) 'Art as a Social Institution,' in his Aesthetics: An Introduction. Indianapolis, IN: Pegasus Bobbs-Merrill, pp. 101-108 3) Becker, Howard S. (1974) 'Art as Collective Action.' American Sociological Review 39 (6): 767-776 4) Faulkner, Robert R. (1973) 'Orchestra Interaction: Some Features of Communication and Authority in an Artistic Organization.' The Sociological Quarterly 14 (2): 147-157 5) Zolberg, Vera L. (1981) 'Conflicting Visions in American Art Museums.' Theory and Society 10 (1): 103-125 6) Moeran, Brian (2006) 'More Than Just a Fashion Magazine.' Current Sociology 54 (5): 725-44 2. Production of Culture 7) Peterson, Richard A. (1976) 'The Production of Culture: a Prolegomenon.' American Behavioral Scientist 19:669-684 8) Coser, Lewis A. (1983) 'The Publishing Industry as a Hybrid.' The Library Quarterly 54 (1): 5-12 9) Markert, John (1985) 'Romance Publishing and the Production of Culture.' Poetics 14 (1-2): 69-93 10) Crane, Diana (1997) 'Globalization, Organizational Size, and Innovation in the French Luxury Fashion Industry: Production of Culture Theory Revisited.' Poetics 24 (6): 393-414 3. Institutional Approaches 11) Hirsch, Paul M. (1972) 'Processing Fads and Fashions: an Organization-Set Analysis of Cultural Industry Systems' The American Journal of Sociology 77 (4): 639-659 12) DiMaggio, Paul (1987) 'Classification in Art.' American Sociological Review 52 (4): 440-455 13) Janssen, Susanne (1997) 'Reviewing as Social Practice: Institutional Constraints on Critics' Attention for Contemporary Fiction.' Poetics24 (5): 275-297 4. Field 14) Bourdieu, Pierre (1983) 'The Field of Cultural Production, or: the Economic World Reversed.' Poetics 12 (4-5): 311-356 15) Benson, Rodney (1999) 'Field Theory in Comparative Context: A New Paradigm for Media Studies.' Theory and Society 28 (3): 463-498 16) Moeran, Brian (2005) 'The Art of Capitalizing,' in his The Business of Ethnography. Oxford: Berg, pp. 151-170 5. Cultural Theory 17) Hennion, Antoin (1983) 'The Production of Success: an Anti-Musicology of the Pop Song.' Popular Music 3: 159-193 18) DeNora, Tia (1991) 'Musical Patronage and Social Change in Beethoven's Vienna.' American Journal of Sociology 97: 310-346 19) Born, Georgina (2002) 'Reflexivity and Ambivalence: Culture, Creativity and Government in the BBC.' Journal for Cultural Research 6 (1-2): 65-90 VOLUME 4: WORK 1. Creative Labour 1) Hochschild, Arlie Russell (1979) 'Emotion Work, Feeling Rules, and Social Structure.' American Journal of Sociology 85 (3): 551-575 2) Hardt, Michael (1999) 'Affective Labour.' Boundary 2 26 (2): 89-100 3) Ross, Andrew (2000) 'The Mental Labor Problem.' Social Text 63 18 (2): 1-31 4) Wittel, Andreas (2004) 'Culture, Labour and Subjectivity: for a Political Economy From Below.', Capital & Class 28 (11): 11-30 5) De Peuter, Grei and Nick Dyer-Witherford (2005) 'A Playful Multitude? Mobilising and Counter-Mobilising Immaterial Game Labour.' Fibreculture 5, pp. 17 6) Miller, Toby and Marie Claire Leger (2001) 'Runway Production, Runway Consumption, Runway Citizenship: the New International Division of Cultural Labour.' Emergence 11 (1): 89-115 2. Creative Work and Gender 7) Nixon, Sean and Ben Crewe (2004) 'Pleasure at Work? Gender, Consumption and Work-Based Identities in the Creative Industries.' Consumption, Markets and Culture 7: 129-147 8) Mears, Ashley and William Finlay (2005) 'Not Just a Paper Doll: How Models Manage Bodily Capital and Why They Perform Emotional Labor.' Journal of Contemporary Ethnography 34: 317-343 9) Gill, Rosalind (2002) 'Cool, Creative and Egalitarian? Exploring Gender in Project-Based New Media Work in Europe' Information, Communication & Society, 5: 1, 70-89 3. Careers and Labour Markets 10) Menger, Pierre-Michel (1999) 'Artistic labor markets and careers.' Annual Review of Sociology 25: 541-574. 11) Bielby, William T. and Denise D. Bielby (1999) 'Organizational Mediation of Project-Based Labor Markets: Talent Agencies and the Careers of Screenwriters.' American Sociological Review 64: 64-70, 80-85 12) Christopherson, Susan and Michael Storper (1989) 'The Effects of Flexible Specialisation on Industrial Politics and the Labor Market: the Motion Picture Industry.' Industrial and Labor Relations Review 42: 331-47 13) Ursell, Gillian (2000) 'Television Production: Issues of Exploitation, Commodification and Subjectivity in UK Television Labour Markets.' Media, Culture & Society 22: 805-825 14) Dex, Shirley, Willis, Janet, Paterson, Richard and Elaine Sheppard (2000) 'Freelance Workers and Contract Uncertainty: the Effects of Contractual Changes in the Television Industry.' Work, Employment & Society 14: 283-305. 15) Faulkner, Robert and Andy B. Anderson (1987) 'Short Term Projects and Emergent Careers: Evidence from Hollywood.' American Journal of Sociology 92: 879-909 16) Skov, Lise (2002) 'Hong Kong Fashion Designers as Cultural Intermediaries: Out of Global Garment Production.' Cultural Studies 16 (4): 553-569 4. Creativity at Work 17) Becker, Howard S. (1951) 'The Professional Dance Musician and his Audience.' The American Journal of Sociology 57 (2): 136-144 18) Alford, Robert A. and Andras Szanto (1996) 'Orpheus Wounded: the Experience of Pain in the Professional Worlds of the Piano.' Theory and Society 25 (1): 1-12, 25-38, 42-44 19) Fine, Gary Allan (1992) 'The Culture of Production: Aesthetic Choices and Constraints in Culinary Work.' The American Journal of Sociology 97 (5): 1268-1294 20) Kinsella, Sharon (2000) 'Editors and Unusable Artists.' In her Adult Manga: Culture and Power in Contemporary Japanese Society, London: Curzon, pp. 162-201 21) Moeran, Brian (1990/2009) 'Evaluating Ceramic Art in Japan.' Copenhagen Business School: Creative Encounters Working Paper #31, pp. 22
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