Menander Epitrepontes
著者
書誌事項
Menander Epitrepontes
(Bulletin supplement / University of London, Institute of Classical Studies, 106)
Institute of Classical Studies, University of London, 2009
- タイトル別名
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Epitrepontes
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and indexes
内容説明・目次
内容説明
Epitrrepontes, or 'The Arbitration', which Menander produced around 300 BC, tackles the modern-sounding subject of a broken marriage. Charisios has left his young wife Pamphile over a suspected infidelity and moved in with his neighbour to drown his sorrows in wine and women, specifically, a spirited harp-girl called Habrotonon. The irate father-in-law will not tolerate this waste of a good dowry and demands of his daughter that she divorce. Bravely she holds out against her father's tirades and remains loyal to her husband.
A complex and masterly dramatic sequence ensures that by the end 'all's well that ends well' - and Menander has struck a blow for equality of the sexes, for understanding over arrogance and pride.
A large portion of the Epitrepontes was recovered from oblivion in 1905. Since then new papyrus finds have continued to fill the gaps. This edition makes available to the reader all known papyri of the play, including the most recent.
The commentary aims to explain the printed text, to place Menander's language in the context of Athenian dramatic art and rhetoric, and to appreciate his subtle insights into the psychology of his characters, from the huffy father-in-law Smikrines to the 'little people' of the comedy, the slaves, each with their private agenda.
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