Kris hilts : masterpieces of South-East Asian art
著者
書誌事項
Kris hilts : masterpieces of South-East Asian art
5 Continents, c2011
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translated from the Italian
Includes bibliographical references (p. 156-157)
内容説明・目次
内容説明
This book takes us into the unknown world of the hilts of the traditional weapons of Indonesia and Malaysia, the kris, which embody a bridge between the Visible and Invisible worlds. They are art objects that represent abstract, human, divine and demoniac figures. Masterpieces of sculpture and engraving by the archipelago s master-craftsmen, here they are presented in all their splendour.
The hilts of kris have long been collectors' items among lovers of oriental art, perhaps more so than the kris itself as a weapon. Through presentation of the Lanfranchi collection, this book introduces the reader to this cultural world that was once the exclusive prerogative of the local inhabitants and only made widely known by the Dutch when they occupied what was then known as the East Indies.
Kris are objects of great beauty - carved, chiselled or incised by artist-craftsmen who bring a great sense of aesthetics and proportion to their work, as well as a deep knowledge of the symbolism and traditions of their lands.
Java, Sumatra, Bali, Madura, Sulawesi and Malaysia: each island has its own type of hilt, a fact that makes it possible to establish the geographic provenance of every kris and to enter into the various local traditions, symbolism and magic that have contributed to its manufacture. These small sculptures range from extreme abstraction to anthropomorphic figures, geometric patterns to images of the plant and animal worlds. They are made by expert Malay craftsmen from materials such as wood, fossil ivory, gold and whalebone.
Java, Sumatra, Bali, Madura, Sulawesi and Malaysia: each island has its own type of hilt, enabling scholars and collectors to establish the geographic provenance of every kris and appreciate the various local traditions, symbolism, and magic that contributed to its manufacture. These small sculptures range from extreme abstraction to anthropomorphic figures, geometric patterns to images of the plant and animal worlds. They are made by expert Malay craftsmen from materials such as wood, fossil ivory, gold, and whalebone.
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