Charlotte Perriand and photography : a wide-angle eye
Author(s)
Bibliographic Information
Charlotte Perriand and photography : a wide-angle eye
5 Continents, c2011
- Other Title
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Charlotte Perriand, Designerin : Fotographin Aktivistin
Charlotte Perriand, de la photographie au design
Charlotte Perriand et la photographie
Available at 11 libraries
Note
Catalog of the exhibition held at the Museum für Gestaltung, Zurich, July 15-Oct. 24, 2010; the Petit Palais, Musée des Beaux-arts de la Ville de Paris, Apr. 7-Sept. 18, 2011; the Musée Nicéphore Niépce, Chalon-sur-Saône, spring, 2012
Other titles from exhibition name
Includes bibliographical references (p. 360-363) and index
Description and Table of Contents
Description
This stunning book presents Charlotte Perriand's photographic achievement in its entirety, offering new and valuable insights into the work of this important designer.
Charlotte Perriand (1903-1999) was one of the most innovative furniture and interior designers of the twentieth century, long renowned for the tubular-steel chairs she created with le Corbusier. Her career spanned nearly seventy-five years and included work in her native France as well as in Africa, South America, Asia, and Europe, and today her designs are highly collectable. Recently, several hundred photographic negatives were uncovered in her archives, revealing for the first time the scope of her work as a photographer. In the late 1920s, French interior and furniture designer Charlotte Perriand was at the cusp of her career, just beginning her work as an architect, designer, town planner, and political militant. Starting in 1927, she turned to photography, which was to play a pivotal role in her development as a designer through the pioneering years of the modern movement. Her photographic venture ended in Japan in 1941, when the hope of a better world was shattered by World War II. For Charlotte Perriand, photography was a machine for thinking, taking notes, and stirring emotions, but it was also an instrument of political engagement. Today, her photographs are a revelation, offering unseen glimpses into her creative process and intellectual development. Her photographs express the important themes and questions explored by modern artists of the day, and are part of the vast stream of avant-garde movements in which painters, architects, and photographers - and sometimes all three combined - worked together in a common spirit.
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