Fin de millénaire French fiction : the aesthetics of crisis
Author(s)
Bibliographic Information
Fin de millénaire French fiction : the aesthetics of crisis
（Oxford modern languages and literature monographs）
Oxford University Press, 2009
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Note
Includes bibliographical references (p. [271]-280) nd index
Description and Table of Contents
Description
The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, and with the growth of the mass media and global market, further generating and manipulating crisis. In this original, wide-ranging but closely analytical study, Cruickshank contextualizes and reads the work of four influential writers of prose fiction -- Angot, Echenoz, Houellebecq, and Redonnet -- teasing out each one's response to this convergence. She
suggests that the recurrent fictional and cultural trope of the turning point has both aesthetic and critical potential. Bringing together analyses spanning literature, thought, and culture, she identifies and critiques the ways in which, on the eve of the twenty-first century, different theoretical and
fictional approaches confront the manipulation of crisis discourses. Drawing on a 'long twentieth century' of crisis thinking, Cruickshank counters the perception that a postmodern model of perpetual crisis is culturally dominant, and establishes instead a new critical framework with which to respond to the fin de millenaire aesthetics of crisis.
Through patient and illuminating readings, Cruickshank demonstrates how prose fictions afford critical purchase on the global market, and on French co-implication in it. She identifies how the four contrasting writers reflect, perpetuate, and challenge the misogyny and symbolic violence of late capitalism. Fin de millenaire prose fiction emerges as both problematic and problematizing, bespeaking the need to intervene in debates about the mass media, neoliberalism, global market
economics, and sexual and postcolonial identities, while also demonstrating the enduring agency - critical and creative - of literature itself.
Table of Contents
- Introduction
- 1. Crisis, critical perspectives, and fin de millenaire prose fiction
- 2. Jean Echenoz: problematic patterns and symbolic violence
- 3. Michel Houellebecq: ideological challenge and precipitating crisis
- 4. Christine Angot: trauma, transgression, and the write to reply
- 5. Marie Redonnet: resistance, barbarism, and self-satisfied contemplation
- Conclusion
- Chronology of 1990s France
- Suggestions for further reading
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