Songs from Kabul : the spiritual music of Ustad Amir Mohammad
著者
書誌事項
Songs from Kabul : the spiritual music of Ustad Amir Mohammad
Ashgate, c2011
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [101]-104) and index
内容説明・目次
内容説明
This book presents the vocal art music of Kabul as performed by Ustad Amir Mohammad. At the heart of Kabul's vocal art music is the ghazal, a highly flexible song form using Persian (or Pashto) texts derived from a variety of sources. Much of this poetry is in the Sufi tradition, with frequent metaphoric allusions to love, wine and intoxication. In musical terms, the Kabuli ghazal style is related to ghazal singing in India and Pakistan, but the setting of the texts to music is distinctly Afghan, with interpolated couplets sung in free rhythm, fast instrumental sections and dramatic rhythmic cadences. As befits a Sufi music, it has a regularly repeated cyclical structure with trance-inducing properties. Central to the book is the audio CD, containing six ghazals, one mosammat and one Afghan-style tarAcna, all recorded by John Baily between 1974 and 1976 in the city of Herat, in western Afghanistan. At that time Ustad Amir Mohammad was Herat's most sought-after singer in the Kabuli style, playing mainly at wedding parties of wealthy Heratis. In these valuable recordings he is accompanied by two outstanding local musicians, Rahim Khushnawaz on rubAcb, and Gada Mohammad on dutAcr.
目次
- Contents: Preface
- Introduction
- The art music of Kabul
- Amir Mohammad in Herat: making the recordings
- The texts of the eight songs
- Setting the texts to music
- Reappraising the Kabuli ghazal
- Bibliography
- Index.
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