East Asian cinema and cultural heritage : from China, Hong Kong, Taiwan to Japan and South Korea
Author(s)
Bibliographic Information
East Asian cinema and cultural heritage : from China, Hong Kong, Taiwan to Japan and South Korea
Palgrave Macmillan, 2011
1st ed
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and indexes
Description and Table of Contents
Description
How do East Asian cultural heritages in shape film? How are these legacies being revived, or even re-created, by contemporary filmmakers? This collection examines the dynamic interactions between East Asian culture heritages and cinemas in mainland China, Hong Kong, Taiwan, Japan, and South Korea.
Table of Contents
- Reclaiming a Legacy, Reinventing the Nation: The Epic Martial Arts Drama
- D.Desser Forging a Global Soundscape: Inventing a 'Chinese' Heritage or Succumbing to Mainstream Sonic Culture of Western Movies?
- S.Yu Contested Heritage: Cinema, Collective Memory, and the Politics of Local Heritage in Hong Kong
- V.P.Y.Lee Traditional Chinese Aesthetics and Contemporary Chinese Films: Applying the Idea of qiyun to Understand the Temporal Structure of Selected Films of Hou Hsiao-hsien and Wong Kar-wai
- W.Lo Reading the Glove Puppetry in Hou Hsiao-hsien's The Puppetmaster
- W.Lin A 'Horrible' Legacy: Noh and J-horror
- K.Yau The Loyal 47 R o nin Never Die: Influence of Ch u shingura on Japanese War Films
- K.Yau Bringing the Tradition to the Modern
- S.Kim Constructing East Asian Cinema through Cultural Geopolitics: King Hu's Come Drink with Me (1966) and the Evolution of Korean Martial Arts Films and Literatures in the 1960s
- S.Lee
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