Musical theatre, realism and entertainment
著者
書誌事項
Musical theatre, realism and entertainment
(Ashgate interdisciplinary studies in opera)
Ashgate, c2012
- : hbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [173]-185) and index
内容説明・目次
内容説明
What is it about musical theatre that audiences find entertaining? What are the features that lead to its ability to stimulate emotional attachment, to move and to give pleasure? Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances. Early discussions centre on the construction of the composed text, but then attention is given to performance and audience response. Musical theatre contains disruptions and dissonances in its multiple texts, it allows gaps for audiences to read playfully. This combines with the voluptuous sensations of embodied emotion, contagiously and viscerally shared between audience and stage, and augmented through the presence of voice and music. A number of features are discovered in the construction of musical theatre performance texts that allow them to engage the intense emotional attachment of their audiences and so achieve enormous popularity. In doing this, the book challenges the conception of musical theatre as 'only entertainment'. Entertainment instead becomes a desirable, ephemeral and playful concept.
目次
- Introduction
- Chapter 1 Musical Characterisation in HMS Pinafore and The Rocky Horror Show
- Chapter 2 Encoding the Voice
- Chapter 3 Integration and Distance in Musical Theatre
- Chapter 4 Layers of Representation and the Creation of Irony
- Chapter 5 Alternatives to Linearity: Cabaret, Kiss of the Spider Woman and Assassins
- Chapter 6 Illusions of Realism in West Side Story and Actor-Musician Performances
- Chapter 7 Experiencing Live Musical Theatre Performance: La Cage Aux Folles and Priscilla, Queen of the Desert
- Chapter 8 I've Heard that Song Before
- Chapter 101 Conclusion
「Nielsen BookData」 より