That's all folks? : ecocritical readings of American animated features
著者
書誌事項
That's all folks? : ecocritical readings of American animated features
University of Nebraska Press, c2011
- : cloth
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Filmography: p. 251-263
Works cited: p. 265-275
Includes index
内容説明・目次
内容説明
Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear.
Countering the view that the contemporary environmental movement-and the cartoons it influenced-came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels-particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market.
Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema.
目次
List of Illustrations
Acknowledgments
Introduction: A Foundation for Contemporary Enviro-toons
1. Bambi and Mr. Bug Goes to Town: Nature with or without Us
2. Animal Liberation in the 1940s and 1950s: What Disney Does for the Animal Rights Movement
3. The upa and the Environment: A Modernist Look at Urban Nature
4. Animation and Live Action: A Demonstration of Interdependence?
5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys
6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature
7. Dinosaurs Return: Evolution Outplays Disney's Binaries
8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie
9. Pixar and the Case of wall-e: Moving between Environmental Adaptation and Sentimental Nostalgia
10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology
Conclusion: Animation's Movement to Green?
Filmography
Works Cited
Index
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