Songs from the edge of Japan : music-making in Yaeyama and Okinawa
著者
書誌事項
Songs from the edge of Japan : music-making in Yaeyama and Okinawa
Ashgate, c2012
- : hbk
- タイトル別名
-
Songs from the edge of Japan
並立書誌 全1件
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"SOAS musicology series"--Jacket
Bibliography: p. [195]-211
Incluces index
内容説明・目次
内容説明
Since the early 1990s, Okinawan music has experienced an extraordinary boom in popularity throughout Japan. Musicians from this island prefecture in the very south of Japan have found success as performers and recording artists, and have been featured in a number of hit films and television dramas. In particular, the Yaeyama region in the south of Okinawa has long been known as a region rich in performing arts, and Yaeyaman musicians such as BEGIN, Daiku Tetsuhiro, and Natsukawa Rimi have been at the forefront of the recent Okinawan music boom. This popularity of Okinawan music represents only the surface of a diverse and thriving musical culture within modern-day Yaeyama. Traditional music continues to be an important component of traditional ritual and social life in the islands, while Yaeyama's unique geographical and cultural position at the very edge of Japan have produced varied discourses surrounding issues such as tradition versus modernity, preservation, and cultural identity. Songs from the Edge of Japan explores some of the reasons for the high profile of Yaeyaman music in recent years, both inside and outside Yaeyama. Drawing on extensive ethnographic fieldwork carried out since 2000, the book uses interviews, articles from the popular media, musical and lyrical analysis of field and commercial recordings, as well as the author's experiences as a performer of Yaeyaman and Okinawan music, to paint a picture of what it means to perform Yaeyaman music in the 21st century.
目次
- Chapter 1 Island Treasures (SA-ma nu Takara)
- Chapter 2 Islands of Song and Dance: Yaeyama and its Music
- Chapter 3 The Southern Islands '" Yaeyama and Okinawa in the Japanese Cultural Imagination
- Chapter 4 Music for Gods, Ancestors and People '" Yaeyaman Music in a Ritual Context
- Chapter 5 Nama ni nukushA ri '" Lineages and Preservation Groups
- Chapter 6 Izu su du nusA- '" The Singer is Master: Regional versus Individual Styles in the Performance of TubarAE ma
- Chapter 7 The Okinawa 'Boom' '" Local Music on the National Stage
- Chapter 8 Afterword
「Nielsen BookData」 より