The twentieth century and beyond
著者
書誌事項
The twentieth century and beyond
（The Broadview anthology of British literature / general editors, Joseph Black ... [et al.], v. 6A）
Broadview Press, c2008
- from 1900 to World War II
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注記
Includes indexes
内容説明・目次
内容説明
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations throughout, and an unparalleled number of illustrations and contextual materials, offering additional perspectives both on individual texts and on larger social and cultural developments. Innovative, authoritative, and comprehensive, The Broadview Anthology of British Literature embodies a consistently fresh approach to the study of literature and literary history.
The full Broadview Anthology of British Literature comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible through the broadviewpress.com website by using the passcode obtained with the purchase of one or more of the bound volumes.
Highlights of Volume 6: The Twentieth Century and Beyond include: Joseph Conrad's "The Secret Sharer," "An Outpost of Progress," an essay on the Titanic, and a substantial range of background materials, including documents on the exploitation of central Africa that set "An Outpost of Progress" in vivid context; and a large selection of late twentieth and early twenty-first century writers such as Ian McEwan, Kazuo Ishiguro, and Zadie Smith.
For the convenience of those whose focus does not extend to the full period covered in the final volume of The Broadview Anthology of British Literature (Volume 6: The Twentieth Century and Beyond), that volume is now available either in its original one-volume format or in this alternative two-volume format, with Volume 6a (The Early Twentieth Century) extending to the end of WWII, and Volume 6b (The Late Twentieth Century and Beyond) covering from WWII into the present century.
目次
PREFACE
ACKNOWLEDGEMENTS
THE EARLY TWENTIETH CENTURY: FROM 1900 TO MID-CENTURY
The Edwardian Period
The World Wars
Marx, Einstein, Freud, and Modernism
The Place of Women
Avant-Garde and Mass Culture
Sexual Orientation
Ireland
Ideology and Economics in the 1930s and 1940s
The Literature of the 1930s and 1940s
Literature and Empire
The English Language in the Early Twentieth Century
HISTORY OF THE LANGUAGE AND OF PRINT CULTURE
THOMAS HARDY
Hap
Neutral Tones
The Darkling Thrush
The Ruined Maid
A Broken Appointment
Shut Out That Moon
The Convergence of the Twain
Channel Firing
The Voice
Transformations
In Time of "The Breaking of Nations"
The Photograph
During Wind and Rain
The Oxen
Going and Staying
IN CONTEXT: Hardy's Reflections on the Writing of Poetry
ALICE MEYNELL (sites.broadviewpress.com/bablonline)
A Father of Women
The Threshing Machine
Reflections: (1) In Ireland
Reflections: (2) In Othello
Reflections: (3) In Two Poets
BERNARD SHAW
Mrs Warren's Profession
IN CONTEXT: Shaw's Prefaces (sites.broadviewpress.com/bablonline)
from "Preface" to Plays Unpleasant
from "Preface" to Mrs Warren's Profession
IN CONTEXT: The Profession of Prostitution (sites.broadviewpress.com/bablonline)
from William Acton, "Prostitution Considered in its Moral, Social, and Sanitary Aspects," in London and Other Large Cities
Selected Illustrations
JOSEPH CONRAD
An Outpost of Progress
"Preface" to The Nigger of the "Narcissus"
The Secret Sharer
from "Some Reflections on the Loss of the Titanic"
IN CONTEXT: "The Vilest Scramble for Loot" in Central Africa
from William G. Stairs, Diaries
from Henry Morgan Stanley, "Speech Given to the Lotus Club, New York"
from Henry Morgan Stanley, In Darkest Africa
from Joseph Chamberlain, "Speech to the House of Commons (6 August 1901)"
from Roger Casement, Congo Report
IN CONTEXT: Conrad as Seen by His Contemporaries (sites.broadviewpress.com/bablonline)
IN CONTEXT: Miscommunication at Sea (sites.broadviewpress.com/bablonline)
from Joseph Conrad, The Mirror of the Sea: Memories and Impressions
A.E. HOUSMAN
Loveliest of Trees
To an Athlete Dying Young
Terence, This Is Stupid Stuff
The Chestnut Casts His Flambeaux
Epitaph on an Army of Mercenaries
EDWARD THOMAS
Tears
The Owl
Rain
SIEGFRIED SASSOON
They
Glory of Women
Everyone Sang
from Memoirs of an Infantry Officer
RUPERT BROOKE
Clouds
The Dead
The Soldier
The Great Lover (sites.broadviewpress.com/bablonline)
ISAAC ROSENBERG
Break of Day in the Trenches
Dead Man's Dump
Louse Hunting
Returning, We Hear the Larks
WILFRED OWEN
Arms and the Boy
Dulce et Decorum Est
Anthem for Doomed Youth
Strange Meeting
Futility
Letters
To Susan Owen (7 January 1917)
To Susan Owen (10 January 1917)
To Susan Owen (16 January 1917)
To Colin Owen (2 March 1917)
To Susan Owen ([?16] May 1917)
To Susan Owen (18 May 1917)
To Susan Owen (23 May 1917)
To Susan Owen (22 August 1917)
To Tom Owen (26 August 1917)
To Mary Owen (29 August 1917)
To Susan Owen (4 [or 6] October 1918)
To Susan Owen (8 October 1918)
To Susan Owen (29 October 1918)
To Susan Owen (31 October 1918)
CONTEXTS: WAR AND REVOLUTION
from Anonymous, "Introduction" to Songs and Sonnets for England in War Time
"In Flanders Fields": The Poem and Some Responses
John McCrae, "In Flanders Fields"
John Mitchell, "Reply to 'In Flanders Fields'"
J.A. Armstrong, "Another Reply to 'In Flanders Fields'"
Elizabeth Daryush, "Flanders Fields"
Anonymous, "I Learned to Wash in Shell-Holes"
J.P. Long and Maurice Scott, "Oh! It's a Lovely War"
from Rebecca West, "The Cordite Makers"
from Francis Marion Beynon, Aleta Day
from Chapter 24: War
Ivor Gurney, "To His Love"
Vance Palmer, "The Farmer Remembers the Somme"
from Robert Graves, Good-Bye to All That
from Chapter 17
from May Wedderburn Cannan, Grey Ghosts and Voices
from "Proceedings" of the All-Russian Central Executive Committee of Soviets of Workers', Soldiers', and Peasants' Deputies
WILLIAM BUTLER YEATS
The Lake Isle of Innisfree
When You Are Old
Who Goes with Fergus?
Adam's Curse
No Second Troy
Easter 1916
The Wild Swans at Coole
In Memory of Major Robert Gregory
Nineteen Hundred and Nineteen
A Prayer for My Daughter
An Irish Airman Foresees His Death
The Second Coming
Meditations in Time of Civil War
Leda and the Swan
Among School Children
Sailing to Byzantium
The Tower
A Dialogue of Self and Soul
Byzantium
For Anne Gregory
Crazy Jane Talks with the Bishop
Lapis Lazuli
The Circus Animals' Desertion
Under Ben Bulben
IN CONTEXT: Yeats on Poetic Inspiration
from "The Symbolism of Poetry"
from "Four Years"
from "Introduction" to A Vision
IN CONTEXT: The Struggle for Irish Independence
Poblacht na h-Eireann: Proclamation of the Irish Republic
Padraic Pearse, "Statement"
H.G. WELLS (sites.broadviewpress.com/bablonline)
The New Accelerator
The Star
IN CONTEXT: Wells's Non-Fiction
from H.G. Wells, The Extinction of Man: Some Speculative Suggestions
SAKI (H.H. MUNRO) (sites.broadviewpress.com/bablonline)
Tobermory
DOROTHY RICHARDSON
About Punctuation
Journey to Paradise
"Foreword" to Pilgrimage
ROBERT SERVICE (sites.broadviewpress.com/bablonline)
The Cremation of Sam McGee
E.M. FORSTER
The Machine Stops (sites.broadviewpress.com/bablonline)
The Road from Colonus
from "What I Believe"
P.G. WODEHOUSE
Honeysuckle Cottage
VIRGINIA WOOLF
Monday or Tuesday
A Haunted House
A Society
Monday or Tuesday
An Unwritten Novel
The String Quartet
Blue & Green
Kew Gardens
The Mark on the Wall
Mrs. Dalloway in Bond Street
from "On Re-reading Novels"
from "How It Strikes a Contemporary"
Modern Fiction
from A Room of One's Own
Chapter 1
Chapter 2
Chapter 3
from "A Sketch of the Past"
In Context: Woolf and Bloomsbury
In Context: Woolf as Writer
from Virgina Woolf, A Writer's Diary
from E.M. Forster, "Review of 'Kew Gardens'"
from unsigned "Review of 'Kew Gardens'"
from W.L. Courtney, "Review of Jacob's Room"
CONTEXTS: GENDER AND SEXUAL ORIENTATION
from Edward Carpenter, Love's Coming of Age
"The Intermediate Sex"
from Havelock Ellis, Sexual Inversion
from Chapter 3: Sexual Inversion in Men
from Chapter 4: Sexual Inversion in Women
from Chapter 5: The Nature of Sexual Inversion
from Grant Allen, "Woman's Place in Nature"
from Cicely Hamilton, Marriage as a Trade
Female Suffrage
Anonymous, ["There Was a Small Woman Called G"]
from Emmeline Pankhurst, My Own Story
from Marie Stopes, Married Love
from Virginia Woolf, Orlando
from George Orwell, "Boys' Weeklies"
from Frank Richard, "Frank Richard Replies to George Orwell"
from Robert Roberts, The Classic Slum
from E.M. Forster, "Terminal Note" to Maurice
from Virginia Woolf, "Old Bloomsbury"
JAMES JOYCE
Araby
Eveline
The Dead
Ivy Day in the Committee Room (sites.broadviewpress.com/bablonline)
A Little Cloud (sites.broadviewpress.com/bablonline)
The Boarding School (sites.broadviewpress.com/bablonline)
from Ulysses
Chapter 13, Nausicaa
IN CONTEXT: Joyce's Dublin
IN CONTEXT: Beckett and Joyce
From Samuel Beckett, "Dante ... Bruno. Vico ... Joyce"
D.H. LAWRENCE
Tortoise Shout
Snake
Bavarian Gentians
The Prussian Officer
Odour of Chrysanthemums
The Hopi Snake Dance
Why the Novel Matters
CONTEXTS: WORK AND WORKING-CLASS LIFE
from George Orwell, The Road to Wigan Pier
from "A Debate Between G.B. Shaw and G.K. Chesterton, Chaired by Hilaire Belloc"
from Robert Roberts, The Classic Slum
KATHERINE MANSFIELD
Bliss
The Garden Party
Miss Brill
Daughters of the Late Colonel (sites.broadviewpress.com/bablonline)
T.S. ELIOT
The Love Song of J. Alfred Prufrock
Preludes
Burbank with a Baedeker: Bleistein with a Cigar
Gerontion
The Waste Land
Journey of the Magi
Marina
Burnt Norton
Tradition and the Individual Talent
The Metaphysical Poets
IN CONTEXT: T.S. Eliot and Anti-Semitism
CONTEXTS: ELIOT, POUND, AND THE VORTEX OF MODERNISM
from Jules Huret, "Interview with Stephane Mallarme," L'Echo de Paris
Imagist and Futurist Poetry: A Sampling
T.E. Hulme
Autumn
Ezra Pound
In a Station of the Metro
Alba
L'Art, 1910
H.D.
Oread
The Pool
Mina Loy
from "Three Moments in Paris"
1. One O'Clock at Night.
from "Love Songs"
Imagism and Vorticism
from F.S. Flint, "Imagisme," Poetry Magazine
from Ezra Pound, "A Few Don'ts by an Imagiste," Poetry
from Ezra Pound, "Vorticism," Gaudier-Brzeska
from Virginia Woolf, "Character in Fiction"
Reactions to the Poems of T.S. Eliot
from Arthur Waugh, "The New Poetry," Quarterly Review
from Ezra Pound, "Drunken Helots and Mr. Eliot," The Egoist
from unsigned "Review," Literary World
from unsigned "Review," New Statesman
from Conrad Aiken, "Diverse Realists," Dial
from May Sinclair, "Prufrock and Other Observations: A Criticism," Little Review
from "Review of the First Issue of The Criterion," The Times Literary Supplement
from Gilbert Seldes, "Review," The Nation
from I.A. Richards, Principles of Literary Criticism
from Douglas LePan, "Personality of the Poet: Some Recollections of T.S. Eliot"
HUGH MACDIARMID (sites.broadviewpress.com/bablonline)
from In Memoriam James Joyce
We Must Look at the Harebell
In the Children's Hospital
Another Epitaph on an Army of Mercenaries
JEAN RHYS
Let Them Call It Jazz
DAVID JONES
from In Parenthesis
from "Preface"
from Part 7: The Five Unmistakable Marks
from The Sleeping Lord (sites.broadviewpress.com/bablonline)
ROBERT GRAVES
The Cool Web
Down, Wanton, Down!
Recalling War
NANCY CUNARD
from Jamaica: The Negro Island
from The White Man's Duty
from "Preface"
ELIZABETH BOWEN
The Demon Lover (sites.broadviewpress.com/bablonline)
Oh, Madam...
STEVIE SMITH
Mother, Among the Dustbins
The River God
Not Waving but Drowning
The New Age
Away, Melancholy
The Blue from Heaven
Pretty
GEORGE ORWELL
from Homage to Catalonia
Politics and the English Language
Shooting an Elephant
IN CONTEXT: Elephants in Asia
SAMUEL BECKETT
Whoroscope
from Texts for Nothing
The Calmative
Imagination Dead Imagine
Krapp's Last Tape
W.H. AUDEN
[O what is that sound]
[At last the secret is out]
[Funeral Blues]
Spain 1937
[Lullaby]
[As I walked out one evening]
Musee des Beaux Arts
In Memory of W.B. Yeats
September 1, 1939
from The Sea and the Mirror [Song of the Master and Boatswain]
The Shield of Achilles
"The Truest Poetry Is the Most Feigning"
IN CONTEXT: Auden on the Nature and Craft of Poetry
from Writing
CONTEXTS: WORLD WAR II
Winston Churchill, Speeches to the House of Commons
from "Blood, Toil, Tears, and Sweat" (13 May 1940)
from "We Shall Fight on the Beaches" (4 June 1940)
from "Their Finest Hour" (18 June 1940)
from Harold Nicholson, The War Years: 1939-1945
from Charles Ritchie, The Siren Years
Ross Parker and Hughie Charles, "We'll Meet Again"
Nat Burton and Walter Kent, "The White Cliffs of Dover"
Anonymous, Fucking Tobruk (sites.broadviewpress.com/bablonline)
from John Lehmann, "Foreword" to The Penguin New Writing
David Campbell, "Men in Green"
Keith Douglas, "Vergissmeinnicht"
from Henry Reed, Lessons of War
1. Naming of Parts
Douglas LePan
"Below Monte Cassino"
"The Haystack"
Life at Home
Anti-Semitism and World War II
from Ezra Pound, "Speech to the English"
from George Orwell, "Anti-Semitism in Britain"
from Rebecca West, "Greenhouse with Cyclamens"
from George Bernard Shaw, "The Unavoidable Subject"
APPENDICES
Reading Poetry
Maps
Monarchs and Prime Ministers of Great Britain
Glossary of Terms
Texts and Contexts: Chronological Chart (sites.broadviewpress.com/bablonline)
Bibliography (sites.broadviewpress.com/bablonline)
Permissions Acknowledgements
Index of First Lines
Index of Authors and Titles
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