Seeing medieval art
著者
書誌事項
Seeing medieval art
（Rethinking the Middle Ages / editors, Paul Edward Dutton and John Shinners, v. 1）
University of Toronto Press, c2011
- : pbk
並立書誌 全1件
-
-
Seeing medieval art / Herbert L. Kessler
BA76631589
-
Seeing medieval art / Herbert L. Kessler
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Previously published by Broadview Press, 2004
Includes index
内容説明・目次
内容説明
A Note About the Cover: "Evangeliary of St. Andreas of Cologne." (AE 679, fol. 126v, Hessisches Landesmuseum Darmstadt. Reprinted by permission). This eleventh-century manuscript demonstrates a trend of the High Middle Ages in which transcendental contemplation was initiated by abstract means. Here, thin washes of celestial colors elevate the animal flesh itself, the vellum on which words and pictures are elsewhere inscribed, to guide the viewer's thoughts from the physical world toward (though not all the way to) the invisible God. How did medieval people see art? How was it made, paid for, and used? Why was it necessary to social activities including teaching, civic processions, and missionary work, as well as to architecture and books? With 12 color plates and 54 plates in all, Seeing Medieval Art looks at art's functions and traces many crucial developments including the development of secular art and historical narrative, and the emergence of individual portraiture.
This is the first title in a series called Rethinking the Middle Ages, which is committed to re-examining the Middle Ages, its themes, institutions, people, and events with short studies that will provoke discussion among students and medievalists, and invite them to think about the middle ages in new and unusual ways. The series editor, Paul Edward Dutton, invites suggestions and submissions.
目次
Illustrations Introduction 1. Matter 2. Making 3. Spirit 4. Book 5. Church 6. Life (and Death) 7. Performance 8. Seeing Notes Photo Credits Index
「Nielsen BookData」 より