Fortinbras at the fishhouses : responsibility, the Iron Curtain and the sense of history as knowledge
著者
書誌事項
Fortinbras at the fishhouses : responsibility, the Iron Curtain and the sense of history as knowledge
（Newcastle/Bloodaxe poetry series, 9）
Bloodaxe Books, 2010
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Newcastle/Bloodaxe poetry lectures
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注記
"First published 2010 by Department of English Literary & Linguistic Studies, Newcastle University"--T.p. verso
"Newcastle/Bloodaxe poetry lectures" at Newcastle University
Series no. on added T.p.: "7" (miss print?)
Includes bibliographical references
内容説明・目次
内容説明
In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. George Szirtes' three lectures form an arc on the nature of historical knowledge in the poem. 'Our knowledge' says Elizabeth Bishop in 'At the Fishhouses', 'is historical, flowing and flown.' The sea in her poem is so cold it burns hand and tongue, a parodox explored in his first lecture, 'Cold dark deep and absolutely clear: poetic knowledge as uncertainty'. Beginning with this understanding of knowledge, his second lecture, 'Life is Elsewhere: knowing in opposition', shifts to notions of historical responsibility, especially as perceived by poets in the West at the time of the Cold War. Szirtes considers questions of betrayal and fidelity and the role of irony and quietism. In his third lecture, 'Flowing and flown: in the world of superfluous knowledge', Szirtes seeks exemplars and connections in works by George Seferis, Derek Mahon and poets of Eastern Europe from the period immediately before 1989 as well as briefly afterwards, to enquire into the nature of repression, returning to Bishop's story 'In the Village' for its conclusion, where 'The hammer echoes with the icy black sea. Cold, dark deep and absolutely clear' ending with Bishop's affirming cry: 'Oh beautiful sound, strike again!'
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