Heidegger and the romantics : the literary invention of meaning
Author(s)
Bibliographic Information
Heidegger and the romantics : the literary invention of meaning
(Routledge studies in twentieth century philosophy, 34)
Routledge, 2012
- : hbk
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [189]-194) and index
Description and Table of Contents
Description
While there are many books on the romantics, and many books on Heidegger, there has been no book exploring the connection between the two. Pol Vandevelde's new study forges this important link.
Vandevelde begins by analyzing two models that have addressed the interaction between literature and philosophy: early German romanticism (especially Schlegel and Novalis), and Heidegger's work with poetry in the 1930s. Both models offer an alternative to the paradigm of mimesis, as exemplified by Aristotle's and Plato's discussion of poetry, and both German romanticism and Heidegger owe a deep debt to Plato. The study goes on to defend the view that Heidegger was influenced by romanticism. The author's project is thus both historical, showing the specificity of the romantic and Heideggerean works, and systematic, defending aspects of their alternative mode of thinking while also pointing to their weaknesses.
Table of Contents
Introduction Part 1: The Literary Project of Early German Romanticism 1. The Work as Fragment: Toward a New kind of Criticism 2. Transcendental Poetry: An Elusive Metaphysics Part 2: "Poetry Makes a Being More Being": Heidegger's Poetic Program in the 1930s and Early 1940s 3. From the Sense of Being to the Truth of Being: Poetry, Language, and History 4. Toward a New Ontology: The Poetic Configuration of Things. Conclusion: The Unfinished Project of Hermeneutics
by "Nielsen BookData"