Nietzsche's enlightenment : the free-spirit trilogy of the middle period
著者
書誌事項
Nietzsche's enlightenment : the free-spirit trilogy of the middle period
University of Chicago Press, 2011
- : cloth
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
While much attention has been lavished on Friedrich Nietzsche's earlier and later works, those of his so-called middle period have been generally neglected, perhaps because of their aphoristic style or perhaps because they are perceived to be inconsistent with the rest of his thought. With "Nietzsche's Enlightenment", Paul Franco gives this crucial section of Nietzsche's oeuvre its due, offering a thoughtful analysis of the three works that make up the philosopher's middle period: "Human, All too Human"; "Daybreak"; and, "The Gay Science". It is Nietzsche himself who suggests that these works are connected, saying that their "common goal is to erect a new image and ideal of the free spirit". Franco argues that in their more favorable attitude toward reason, science, and the Enlightenment, these works mark a sharp departure from Nietzsche's earlier, more romantic writings, and differ in important ways from his later, more prophetic writings, beginning with "Thus Spoke Zarathustra".
The Nietzsche these works reveal is radically different from the popular image of him and even from the Nietzsche depicted in much of the secondary literature; they reveal a rational Nietzsche, one who preaches moderation instead of passionate excess and Dionysian frenzy. Franco concludes with a wide-ranging examination of Nietzsche's later works, tracking how his outlook changes from the middle period to the later and how the commitment to reason and intellectual honesty in his middle works continues to inform his final writings.
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