Piety and responsibility : patterns of unity in Karl Rahner, Karl Barth, and Vedanta Deshika

著者

書誌事項

Piety and responsibility : patterns of unity in Karl Rahner, Karl Barth, and Vedanta Deshika

John N. Sheveland

（Ashgate new critical thinking in religion, theology & biblical studies）

Ashgate Pub., c2011

  • hbk
  • ebk

タイトル別名

Piety and responsibility

大学図書館所蔵 件 / 全2件

この図書・雑誌をさがす

注記

Bibliography: p. [205]-214

Includes index

収録内容

  • Melody : piety and responsibility in Karl Rahner
  • Harmony : piety and responsibility in Karl Barth
  • Polyphony : piety and responsibility in Vedanta Desika

内容説明・目次

巻冊次

hbk ISBN 9781409409052

内容説明

This book analyzes the writings of Karl Rahner, Karl Barth, and Vedanta Desika to disclose how each construes "piety" and "responsibility" as integral to each other. Each theologian expresses a fundamental unity of love of God and love of neighbour. Sheveland explores this unity in ecumenical and interreligious frameworks, showing how these authors privilege theology as practice, enactment, or simply as ethical. He uses the Renaissance genre of musical polyphony as a methodological tool by which to explore the aesthetic quality and the similarity-in-difference of the theological voices being compared. Polyphony's application to comparative theology includes the avoidance of caricature, domestication, and antagonism. In place of these is offered a fundamentally aesthetic paradigm by which to hear theological voices in terms of their unity-in-distinction.

目次

  • Chapter 1 Introduction
  • Chapter 2 Melody
  • Chapter 3 Harmony
  • Chapter 4 Polyphony
  • Chapter 5 Postlude
巻冊次

ebk ISBN 9781409409069

内容説明

This book analyzes the writings of Karl Rahner, Karl Barth, and Vedanta Desika to disclose how each construes "piety" and "responsibility" as integral to each other. Each theologian expresses a fundamental unity of love of God and love of neighbour. Sheveland explores this unity in ecumenical and interreligious frameworks, showing how these authors privilege theology as practice, enactment, or simply as ethical. He uses the Renaissance genre of musical polyphony as a methodological tool by which to explore the aesthetic quality and the similarity-in-difference of the theological voices being compared. Polyphony's application to comparative theology includes the avoidance of caricature, domestication, and antagonism. In place of these is offered a fundamentally aesthetic paradigm by which to hear theological voices in terms of their unity-in-distinction.

目次

  • Contents: Introduction
  • Melody: piety and responsibility in Karl Rahner
  • Harmony: piety and responsibility in Karl Barth
  • Polyphony: piety and responsibility in Vedanta Desika
  • Postlude
  • Bibliography
  • Index.

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