The artist's touch, the craftsman's hand : three centuries of Japanese prints from the Portland Art Museum
著者
書誌事項
The artist's touch, the craftsman's hand : three centuries of Japanese prints from the Portland Art Museum
Portland Art Museum , Distributed by University of Washington Press, 2011
- タイトル別名
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The artist's touch, the craftsman's hand
Three centuries of Japanese prints from the Portland Art Museum
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Published on the occasion of an exhibition held at the Portland Art Museum, Portland, Or., Oct. 1, 2011-Jan. 22, 2012
Bibliography: p. 345-348
Chronology: p. 344
Other essays: Donald Jenkins, Lynn Katsumoto, Laurence R. Kominz
内容説明・目次
内容説明
The Artist's Touch, the Craftsman's Hand presents a selection of the most historically important and visually compelling Japanese prints from a collection of more than 2,500 works spanning the late 17th century to the present day. Many are extremely rare and almost all appear here in an English-language publication for the first time. Noteworthy areas of interest include early actor prints, dating back to the first decade of the 18th century; works by Suzuki Harunobu, the master associated with the origins of full-color printing in 1765; the deluxe, privately printed surimono of the early 19th century; painterly landscapes of the early 20th century, including a series that documents the Great Kanto Earthquake of 1923; and contemporary prints, ranging from Op Art and Abstract Expressionism to lyrical evocations of an imagined past.
Essays include an overview of the illustrated works and articles on Harunobu, prints of kabuki actors and their fans, and the cultural meanings in still-life surimono.
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