I might die before I get a rifle : Hasselblad Award 2011
著者
書誌事項
I might die before I get a rifle : Hasselblad Award 2011
, Steidl, 2011
- タイトル別名
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Hasselblad Award 2011
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
The Hasselblad Award is an international photography award. Since 1980 it has been presented annually, with the exception of the year of Erna Hasselblad's death, 1983. The Hasselblad Foundation International Award in Photo graphy is recognized as one of the most important prizes for photography in the world today. The Hasselblad Award is granted to "a photographer recognized for major achievements". This may be an individual who has made a pioneering achievement in photography, who has had a decisive impact on younger generations of photo - graphers, or who has implemented one or more internationally significant photographic projects. Lebanese/American artist Walid Raad has been selected as the 31st winner of the Hasselblad Foundation International Award in Photography. The award was presented to Raad in New York on 8 March 2011. Each year an exhibition of works by the award winner opens at the Hasselblad Center in Gothenburg and a book is released. This year, as in the last four years, a book will be produced as a co-operation between the Hasselblad Foundation and Steidl. Walid Raad is one of the most original and singular practitioners using photography today.
His project "The Atlas Group", in which Raad generated original ideas about the relationships between documentary photography, archive and history, has been widely acclaimed. In order to document and investigate Lebanon's contemporary history, Raad has developed innovative methods of approaching war imagery and exploring political and social conflict. Raad's work allows us to question the traditional iconography of war photography and speculate on visuality, memory and violence. The dead weight of this quarrel hangs contains several unpublished works from The Atlas Group project.
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